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An Annotated Bibliography of Chinese Film Studies. Ed. Jim Cheng. Hong Kong: Hong Kong University Press, 2004.
The Chinese Filmography. Ed. Donald J. Marion. Jefferson, NC: McFarland,
1997. [includes descriptive information of 2444 PRC feature films from 1949-1995]
Donald, Stephanie. "Chinese
Taipei Film Archive." Screeing the Past 4 (1998).
Encyclopedia of Chinese Film. Eds. Yingjin Zhang and Zhiwei
Xiao. London and NY: Routledge, 1998.
The Encyclopedia of Martial Arts Movies. Ed. Bill Palmer.
Metuchen, NJ: Scarecrow Press, 1995.
The Hong Kong Filmography, 1977-1997: A Complete Reference to 1,100 Films Produced by British Hong Kong Studios. By John Charles. Jefferson, NC: McFarland, 2000.
The Hong Kong Filmography. 3 vols. [vol. I: 1913-1941, vol. II: 1941-1949, vol. III: 1950-1952]. HK: HK Film Archive, 1997.
Once Upon a Time in China: A Guide to Hong Kong, Taiwanese, and Mainland
Chinese Cinema. Ed. Jeff Yang. NY: Simon and Schuster, 2003.
Quanguo baokan dianying wenzhang mulu suoyin 1949-1979 (Index of articles
on film from periodicals around the country). Beijing: Zhongguo dianying, 1983.
Quanguo baokan dianying wenzhang mulu suoyin 1980-1989 (Index of articles on film from periodicals around the country). Beijing: Zhongguo dianying, 1994.
Quanguo baokan dianying wenzhang mulu suoyin 1990-1994 (Index of articles
on film from periodicals around the country). Beijing: Zhongguo dianying, 1999.
Renmin daxue shubao ziliao zhongxin baokan ziliao xuanhui: dianying, dianshi
yanjiu. Beijing: Renmin daxue.
Shanghai dianying zhi (Record of Shanghai film). Shanghai: Shanghai shehui kexue yuan, 1999.
Yang Yuanying, ed. Tamen de shengyin (Their voices). Beijing: Zhongguo shehui, 1996. [autobiographies of Chinese women directors]
Zhang Wei, Ying Xian, and Chen Jing. "Zhongguo xiandai dianying chubanwu zongmu tiyao" (A concise listing of modern Chinese film publications). Shanghai dianying 1 (Oct. 1992): 212-34; 2/3 (May 1993): 289-344.
Zhongguo dabaike quanshu: dianying (The complete encyclopedia
of China: film). Beijing: Zhongguo dabaike quanshu, 1991.
Zhongguo dianying da cidian (Encyclopedia of Chinese film).
Eds. Zhang Junxiang and Cheng Jihua. Shanghai: Shanghai cishu,
1995.
Zhongguo dianying haibao yishu jingcui (Selections of poster arts in
Chinese film). Guangzhou: Guangzhou chubanshe, 1996.
Zhongguo dianyingjia liezhuan (Biographies of Chinese filmmakers). 10
volumes. Beijing: Zhongguo dianying, 1982-86.
Zhongguo dianying nianjian (Yearbook of Chinese film). Beijing: Zhongguo
dianying.
Zhongguo dianying tuzhi (Illustrated record of Chinese film). Ed. Cheng
Ping. Zhuhai: Zhuhai chubanshe, 1995. [this is a wonderful illustrated book, with
numerous film stills, posters, photographs, etc, of the history of Chinese film.]
Zhongguo renmin gongheguo dianying shiye sanshiwunian, 1949-84. (Thirty-five
years of the Chinese film industry 1949-84). Beijing: Zhongguo dianying, 1985.
Zhongguo shaoshu minzu dianying (Chinese minority films). Kunming:
Yunnan renmin, 1996.
Zhongguo xiandai xiju dianying yishujia zhuan (Biographies of modern
Chinese theater and film artists). Jiangxi renmin, 1981.
Zhongguo yingpian dadian (Encyclopedia of Chinese film). 4 vols. Beijing:
Zhongguo dianying, 1996-98. [v. 1. 1905-1930; v. 2. 1931-1949; v. 3. 1949-1976;
v. 4. 1977-1994].
Zhongguo yishu yingpian bianmu 1949-1979 (A catalogue of Chinese art
films 1949-79). 2 vols. Beijing: Wenhua yishu, 1981.
Zhongguo yintan xin ren lu (New faces in the Chinese film scene). Beijing:
Zhongguo dianying, 1984.
Zhongguo zaoqi dianying huakan (Illustrated magazines of Chinese early film). 12 vols. Beijing: Quan guo tushuguan wenxiansuowei fuzhi zhong xin, 2004-. [reprints of important Republican era film journals: Yingxi zazhi, Dianying zazhi, Dianying yuekan, Xin yinxing, Xiandai dianying, Wenyi dianying, Dianying shenghuo, Dianying xinwen, Shidai dianying, Xin yingtan, Shanghai yingtan, Dianying shijie, Ying xun, Dianying, Qingnian dianying, Yingju yishu, Yinmu zazhi, Kangzhan dianying]
Aguilar, Claire and Chris Berry. "Cheng Jihua and
Chen Mei Interviewed: China's Film Policy Now." Jump
Cut 31 (1986): 51-53.
Berry, Chris. "Interview with Zhang Nuanxin."
Camera Obscura 18 (Sept. 1988):20-25.
----- "Interview with Peng Xiaolian." Camera
Obscura 18 (Sept. 1988): 26-31.
----- "Interview with Hu Mei." Camera Obscura
18 (Sept 1988):32-41.
-----. "Dis-located: Huang Jianxin Talks to Chris Berry." Cinemaya 11 (1991): 20-23.
Berry, Michael, ed. Speaking in Images: Interviews with Contemporary Chinese
Filmmakers. NY: Columbia University Press, 2005. [CUP
abstract]
Lent, John. "Teach for a While, Direct for a While: An Interview with Xie
Fei." Asian Cinema 8, 2 (Winter 1996-97): 91-97.
Reid, Craig D. "An Evening with Jackie Chan." Bright Lights Film Journal 13 (1994): 18-25.
Semsel, George. "An Interview with Teng Wenji." Jump Cut 34 (1988):110-116.
-----. "Cheng Jihua and Li Shaobai, Pioneers in Chinese Film Studies: Interview II." Asian Cinema 10, 2 (Spring/Summer 1999): 91-95.
Shen, Vivian. "Cheng Jihua, Pioneer in Chinese Film Studies: Interview I." Asian Cinema 10, 2 (Spring/Summer 1999): 87-90.
Sterritt, David. "Exploring Women's Lot in Changing Culture: Interview with Chinese Director Xie Fei." Christian Science Monitor 1 (Apr. 1997): 14.
Stone, Judy. Eye on the World: Conversations with International Filmmakers. Los Angeles: Silman-James Press, 1997. (Contains interviews with: Chang Chun-hsiang, Chen Kaige, Ding Jiao, Carma Hinton, Hu Mei, Li Jun, Tian Zhuangzhuang, Wu Tianming, Zhang Yimou, Zhou Xiaowen; Ang Lee)
Bashan yeyu: cong juben dao dianying (Night Rain of the River:
from play to film). Beijing: Zhongguo dianying, 1982.
Chen, Kaige. The Yellow Earth: A Film by Chen Kaige with a Complete Translation
of the Filmscript. Tr. Bonnie S. Mcdougall. HK: Chinese University Press,
1991.
Chen, Kaige and Wan Zhi. King of the Children. London: Faber, 1989.
Dianying wenxue juben xuan (Selection of literary film scripts). Beijing:
Zhongguo shehui kexue, 1982. [contemporary PRC films scripts]
Girl Basketball Player No. 5--Film
Script. Dir. Xie Jin. Trs. Tim McCahill and Tom Moran. (a translation with
stills of Xie Jin's 1957 film Nulan wuhao). MCLC Resource Center Publication,
December 2005.
The Girl in Red: A Study Guide for the Film. Ed. Vivian Ling. Ann Arbor:
Center for Chinese Studies, University of Michigan, 1994.
The Goddess.
Dir. Wu Yonggang. Tr. Yomi Braester (University of Washington, Seattle)
Hai Mo. Hai Mo dianying juben xuanji (Selected film scripts of Hai Mo).
Beijing: Zhongguo dianying, 1979.
Heipao shijian: cong xiaoshuo dao dianying (Black Cannon Incident:
from novel to film). Beijing: Zhongguo dianying, 1988.
Jiangxi dianying juben xin zuo xuan (Selection of recent film scripts
from Jiangxi). Pub? [includes articles about the films]
Ke Ling. Ke Ling dianying juben xuanji (Selected film scripts of Ke Ling).
Beijing: Zhongguo dianying, 1980.
New Woman. Dir. Cai Chusheng. Tr. Eileen Chow. MCLC Resource Center Publication, 2004.
"The
Opium War--A Film Story." Chinese Literature
(Autumn 1998).
Pai Hua [Bai Hua]. Pai Hua's Cinematic Script 'Unrequited Love':
With Related Introductory Materials. Taipei: Institute of
Current China Studies, 1981.
Stanley Rosen, ed. "'The Troubleshooters,' by Wang Shuo." Chinese Education and Society 31, 1 (January-February 1998). [translation of the filmscript with an editorial introduction]
Spring in a Small Town. Dir Fei Mu. Tr. Andrew Jones. MCLC Resource Center Publication, 2000.
Street Angel. Dir. Yuan Muzhi. Tr. Andrew Jones. MCLC Resource Center Publication, 2000.
A Study Manual for the Movie, To Live. Ed. Delin Zhao. Oberlin, OH:
Oberlin College, 1996.
Tansuo dianying ji (A collection of exploratory films). Shanghai: Shanghai
wenyi, 1987. [contains films scripts of several Fifth Generation films (including
Heipao shijian)]
Tian Han. Tian Han wenji (The works of Tian Han). 12 vols. [contains
8 scripts by Tian Han; includes critical articles and reminiscences]
-----. Tian Han dianying juben xuanji (Selected films scripts of Tian Han). Beijing: Zhongguo dianying, 1983.
Tianyunshan chuanqi: cong xiaoshuo dao dianying (The Legend of Tianyun
Mountain: from novel to film). Beijing: Zhongguo dianying, 1983.
Under the Bridge: A Study Guide for the Film. Ed. Vivian Ling. Ann Arbor:
Center for Chinese Studies, University of Michigan, 1994.
The White-Haired Girl--Film Script. Trs. Pete Nestor and Tom Moran. MCLC Resource Center Publication, February 2006. [a translation with stills of the 1950 classic Bai mao nu]
Wu Si yilai dianying juben xuanji (Selections of films scripts from
the May Fourth on). 2 vols. Beijing: Zhongguo dianying, 1979. [contains scripts
of important progressive films of the 30s and 40s]
Xijupian juben xuanji (Selected scripts of comedy films). Beijing: Zhongguo
dianying, 1982.
Xiaoshuo, shi, ying, shi (Fiction, poetry, film and television). Shanxi
renmin, 1986. [contains literary versions for several important post-Mao films]
Yang Hansheng. Yang Hansheng dianying juben xuanji (Selected films scripts
of Yang Hansheng). Beijing: Zhongguo dianying, 1981.
Zheng, Yi and Wu Tianming. "Old Well" (Laojing). In Haiping Yan, ed.,
Theater and Society: An Anthology of Contemporary Chinese Drama. Armonk:
M.E.Sharpe, 1998, 262-335.
Zhongguo dianying juben xuanji (Selected Chinese film scripts). Beijing:
Zhongguo dianying, 1959- [this is a multi-volumed set of PRC film scripts from
1950 to the present]
Zhongguo wusheng dianying juben (Film scripts of Chinese
silent movies). 3 vols. Beijing: Zhongguo dianying, 1996.
Zhongguo xin wenxue daxi (Comprehensive anthology of modern
Chinese literature). 10 vols. Hongkong: Hongkong wenxue yanjiu
she, [vol. 10 of this series contains scripts of classic leftist
films of of the thirties]
Zhongguo xin wenxue daxi (Anthology of modern Chinese literature).
20 vols. Shanghai: Shanghai wenyi, 1984. [vols. 17 and 18 contains
scripts of films of the 30s; more comprehensive and ideologically
liberal than the above]
Zhufu: cong xiaoshuo dao dianying (New Year's Sacrifice:
from short story to film). Beijing: Zhongguo dianying, 1959.
Andrew, Dudley. The Major Film Theories: An Introduction.
London: Oxford UP, 1976.
-----. Concepts in Film Theory. Oxford: Oxford University
Press, 1984.
Arnheim, Rudolf. Film as Art. Berkeley: U.C. Press, 1957.
Balazs, Bela. Theory of the Film: Character and Growth of a
New Art. London: Dobson, 1952.
Bazin, Andre. What is Cinema I and II. Berkeley: U.C.Press,
1967, 1971.
Bordwell, David. Film Art: An Introduction. N.Y: Alfred
Knofp, 1990.
Browne, Nick. "On Western Critiques of Chinese Film." Asian Cinema 16, 2 (Fall/Winter 2005): 23-35.
Burton, Julianne. "Marginal Cinemas and Mainstream Critical
Theory." Screen (?): 2-21.
Chen Xihe. "Shadowplay: Chinese Film Aesthetics and Their
Philosophical and Cultural Fundamentals." Semsel, Chinese
Film Theory 192-204.
Cavell, Stanley. The World Viewed: Reflections on the Ontology
of Film. Cambridge: Harvard University Press, 1979.
Collier, Joelle. "A Repetition Compulsion: Discontinuity Editing, Classical
Chinese Aesthetics, and Hong Kong's Culture of Disappearance." Asian
Cinema 10, 2 (Spring/Summer 1999): 67-79.
Cook, David A. A History of Narrative Film. NY: Norton, 1990.
Eco, Umberto. "Casablanca: Cult Movie and Intertextual Collage." Substance:
A Review of Theory and Literary Criticism 14.2 (1985):3-12.
Eisenstein, Sergei. Film Sense. New York: Harcourt, Brace, 1947.
Gabriel, Teshome H. Third Cinema in the Third World: The Aesthetics of Liberation.
Ann Arbor: UMI Research Press, 1982.
Hu, Ke. "Contemporary
Film Theory in China." Trs. Ted Wang, Chris Berry and Chen Mei. Screening
the Past 3 (1997). First appeared in Dangdai dianying 2 (1995):
65-73.
Kaplan, Ann. Women and Film: Both Sides of the Camera. New York: Methuen,
1983.
Kracauer, Siegfried. Theory of the Film: The Redemption of Physical Reality.
New York: Oxford University Press, 1960.
de Lauretis, Teresa. Alice Doesn't: Feminism, Semiotics, Cinema. Bloomington:
Indiana University Press, 1984.
-----. "Rethinking Women's Cinema: Aesthetics and Feminist Theory."
New German Critique 34 (1985).
Li Daoxin, ed. Zhongguo dianying piping shi, 1897-2000 (History of
Chinese film criticism, 1897-2000). Beijing: Zhongguo dianying, 2002.
Mayne, Judith. The Woman at the Keyhole. Bloomington: Indiana University
Press, 1990.
Mast, Gerald and Marshall Cohen, eds. Film Theory and Criticism: Introductory
Readings (third edition). New York: Oxford University Press, 1985.
Metz, Christian. Film Languages: A Semiotics of the Cinema. Chicago:
University of Chicago, 1990.
-----. The Imaginary Signifier: Psychoanalysis and the Cinema. Bloomington:
Indiana University Press, 1982.
-----. Language and Cinema. Mouton de Gruyter, 1974.
Mulvey, Laura. Visual and Other Pleasures. Bloomington: Indiana University
Press, 1989.
Rosen, Philip ed. Narrative, Appartus, Ideology: A Film Theory Reader.
New York: Columbia University Press, 1986.
Semsel, George, ed. Chinese Film: The State of the Art in the People's Republic.
New York: Praeger, 1987.
-----. Chinese Film Theory: A Guide to the New Era. New York: Praeger,
1990.
-----. Film in Contemporary China: Critical Debates, 1979-1989. Westport:
Praeger, 1993.
Silverman, Kay. The Acoustic Mirror: The Female Voice in Psychoanalysis and
Cinema. Bloomington: UI Press, 1988.
Wang, Jing and Tani Barlow. “Introduction.” In Dai, Cinema
and Desire: Feminist Marxism and Cultural Politics in the Work of Dai Jinhua.
Eds. Jing Wang and Tani Barlow. London: Verso, 2002, 1-12.
Zhang, Yingjin. "Rethinking Cross-Cultural Analysis: The Questions of Authority,
Power, and Difference in Western Studies of Chinese Films." Bulletin
of Concerned Asian Scholars 26, 4 (1994): 44-53.
-----. "Screening China: Recent Studies of Chinese Cinema in English."
Bulletin of Concerned Asian Scholars 29, 3 (1997).
-----. "The Rise of Chinese Film Studies in the West: Contextualizing Issues, Methods, Questions." In Zhang, Screening China: Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema. Ann Arbor: Center for Chinese Studies, University of Michigan, 2002, 43-114.
-----. "Cross-Cultural Analysis and Eurocentrism: Interrogating Authority, Power, and Difference in Western Critical Discourse." In Zhang, Screening China: Critical Interventions, Cinematic Reconfigurations, and the Transnational Imaginary in Contemporary Chinese Cinema. Ann Arbor: Center for Chinese Studies, University of Michigan, 2002, 115-47.
Film Literature Index (REF Z5784 M9 F45)
Film Review Annual
Film Review Index (Z578 M9 F5135 1986)
New York Times Film Review Index
A Ying. Wang Qing wenyi baokan shulue (An introduction to late Qing literary publications). Shanghai: Gudian wenxue, 1958.
Andrews, Julia F. and Kuiyi Shen. "The New Chinese Woman and Lifestyle Magazines in the Late 1990s." In Perry Link, Richard P. Madsen, and Paul G. Pickowicz, eds., Popular China: Unofficial Culture in a Globalizing Society. Lanham, MD: Rowman and Littlefield, 2002, 137-62.
Bady, Paul. "The Modern Chinese Writer: Literary Incomes and Best-sellers." The China Quarterly 88 (Dec. 1981): 645-57.
Baensch, Robert E., ed. The Publishing Industry in China. New Brunswick, NJ: Transaction Publishers, 2003.
Barme, Geremie. "Notes on Publishing in China, 1976-1979." Australian Journal of Chinese Affairs 4 (1980): 167-74.
Bao Tianxiao. Chuanying lou huiyilu (Reminiscences of
the bracelet shadow studio). HK: Dahua, 1971.
Beahan, Charlotte L. "Feminism and Nationalism in the Chinese
Women's Press, 1902-1911." Modern China 1, 4 (Oct.
1975): 379-416.
Bennett, Bruce. "Winds of Change: Literary Magazines in China."
Westernly 3 (Sept. 1981): 99-106.
Britton, Roswell S. The Chinese Periodical Press, 1800-1912.
Shanghai: Kelley and Walsh, 1933.
Brodsgaard, Kjeld Erik. "The Democracy Movement in China, 1978-79: Opposition Movements, Wall Poster Campaigns, and Underground Journals." Asian Survey 21, 7 (July 1981): 747-73.
Carroll, Peter J. "Fate-Bound Mandarin Ducks: Newpaper Coverage of the 'Fashion' for Suicide in 1931 Suzhou." Twentieth-Century China 31, 2 (April 2006).
Chan, Peter. "Popular Publications in China: A Look at 'The
Spring of Peking.'" Contemporary China 3, 4 (Winter
1979): 103-111.
Chang, Guoxin. A Survey of Chinese Language Daily Press. HK: Chinese Newspapers Association, 1968.
Chang, Jui-Shan. "Refashioning Womanhood in 1990s Taiwan: An Analysis of the Taiwanese Edition of Cosmopolitan Magazine." Modern China 30, 3 (2004): 361-397.
[Abstract: This article investigates how the Taiwanese edition of Cosmopolitan (1992-1997) may serve to resolve a tension felt by modern women in Taiwan by weaving global values and local values together into a tapestry of modern womanhood that can dwell within, and yet extend, the local culture. The article treats the magazine as a window into a Taiwanese image of the modern woman and as an arena in which there are Chinese and Western systems and values that could clash but, in fact, intermesh by virtue of the practice of exploiting Western means for Chinese ends. Taiwanese Cosmo shows how modernization need not mean Westernization, even if it relies on veneers of Western images, and it further aims to transform local Chinese values in a way that gives them global significance.]
Chang, Man. The People’s Daily and the Red Flag Magazine during the
Cultural Revolution. HK: Union Research Institute, 1969.
Chao, Thomas Ming-heng. The Foreign Press in China. Shanghai: China Institute
of Pacific Relations, 1931.
Chen, Jo-hsi. Democracy Wall and the Unofficial Journals. Berkeley: Center for Chinese Studies, University of California, 1982.
Cheng, W.K. "Contending Publicity: The State and the Press in Late Qing China." Asian Thought and Society 23, 69 (Sept/Dec 1998).
Chen, Xiaomei. "Tian Han and the Southern Society Phenomenon: Networking the Personal, Communal, and Cultural." In Kirk A. Denton and Michel Hockx, eds., Literary Societies in Republican China. Lanham, MD: Lexington Books, 2008, 241-79.
Ching, Doe. "The Magazines of China." XXth Century
4 (April 1943): 276-81.
Chow, Tse-tsung. Research Guide to the May Fourth Movement.
Cambridge: Harvard University Press, 1963.
Chuban shiliao (Historical materials on publishing). Shanghai: Xuelin, 1982-1992. [PRC periodical]
Daruvala, Susan. "Yuefeng: A Literary Journal of the 1930s." In Kirk A. Denton and Michel Hockx, eds., Literary Societies in Republican China. Lanham, MD: Lexington Books, 2008, 339-78. Originally published in a different version as "Yuefeng: A Literary Journal of the 1930s." Modern Chinese Literature and Culture 18, 2 (Fall 2006): 39-97.
Denton, Kirk A. "The Hu Feng Group: Genealogy of a Literary School." In Kirk A. Denton and Michel Hockx, eds., Literary Societies in Republican China. Lanham, MD: Lexington Books, 2008, 413-66.
Denton, Kirk A. and Michel Hockx, eds. Literary Societies in Republican China. Lanham, MD: Lexington Books, 2008. [Publishers' blurb]
Drege, Jean-Pierre. La Commercial Press de Shanghai, 1897-1949.
Paris, 1978. [contains appendix with the names of journals edited
and distributed by the CP]
Drege, Jean-Pierre and Hua Changming. La revolution du livre
dans la Chine moderne, Wang Yunwu, editeur. Paris, 1979.
Estran, Jaqueline. La Revue Xinyue (1928-1933): sa Contribution à la Littérature Chinoise Moderne. Ph.D. diss. Paris: INALCO, 2000.
Feldman, Gayle. "The Organization of Publishing in China." China Quarterly 102 (1986): 519-529.
Feuerwerker, Yi-tsi Mei. "Reconsidering Xueheng: Neo-Conservatism in Early Republican China." In Kirk A. Denton and Michel Hockx, eds., Literary Societies in Republican China. Lanham, MD: Lexington Books, 2008, 137-70.
Fitzgerald, John. "The Origins of the Illiberal Party Newspaper: Print Journalism in the China's Nationalist Revolution." Republican China 22, 2 (Apr. 1996): 1-22.
Gerwutz, Margo. Tsou Tao-fen: the Shenghuo Years, 1925-1933.
Ph.D. diss. Ithaca: Cornell University, 1972.
Gimpel, Denise. "The 'Collected Translations' Section in
the Journal Xiaoshuo yuebao." In Findeisen and Gassmann,
eds., Autumn Floods: Essays in Honour of Marian Galik.
Bern: Peter Lang, 1997.
-----. "Beyond Butterflies: Some Observations on the Early Years of the Journal Xiaoshuo yuebao." In Michel Hockx, ed., The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999, 40-60.
-----. "A Neglected Medium: The Literary Journal and the Case of The Short Story Magazine (Xiaoshuo yuebao), 1910-1914." MCLC 11, 2 (Fall 1999): 53-106.
-----. Lost Voices of Modernity: A Chinese Popular Fiction Magazine in Context. Honolulu: University of Hawaii Press, 2001.
Goodman, Bryna. “Being Public: The Politics of Representation in 1918 Shanghai.” Harvard Journal of Asiatic Studies 60, 1 (June 2000): 45-88.
-----. "Semi-Colonialism, Transnational Networks and News Flows in Early Republican Shanghai." In Bryna Goodman (Guest Editor), "Networks of News: Power, Language and Transnational Dimensions of the Chinese Press, 1850-1949." Special issue of China Review 4, 1 (Spring 2004): 55-88.
-----. "The New Woman Commits Suicide: The Press, Cultural Memory and the New Republic." Journal of Asian Studies 64, 1 (February 2005).
-----. "Appealing to the Public: Newspaper Presentation and Adjudication of Emotion." Twentieth-Century China 31, 2 (April 2006).
Haddon, Rosemary M. "T'ai-wan hsin wen-hsueh and the Evolution of a Journal: T'ai-wan min-pao." Tamkang Review 25, 2 (1994): 1-35.
Harrison, Henrietta. "Newspapers and Nationalism in Rural China, 1890-1929." In Jeffrey N. Wasserstrom, ed., Twentieth-Century China: New Approaches. London, NY: Routledge, 2003, 83-102.
Hendrischke, Hans J. Populare Lesestoffe: Propaganda und Agitation im Buchwesen der Volksrepublik China (Popular Reading Material: Propaganda and Agitation in Book Publishing in the People's Republic of China). Bochum: Herausgeber Chinathemen, 1988.
-----. "Popularization and Localization: A Local Tabloid Newspaper Market in Transition." In Jing Wang ed., Locating China: Space, Place, and Popuar Culture. London: Routledge, 2005, 115-32. [deals with tabloid newspapers in Guangxi]
Henningsmeier, Julia. "The Foreign Sources of Dianshizhai huabao, a Nineteenth Century Shanghai Illustrated Magazine." Ming Qing Yanjiu (1998): 59-91.
Hockx, Michel. Questions of Style: Literary Societies and Literary Journals in Modern China, 1911-1937. Leiden: E. J. Brill, 2003.
-----, ed.The Literary Field of Twentieth Century China. Honolulu: University of Hawaii Press, 1999.
-----. "The Chinese Literary Association (Wenxue yanjiu hui)." In Kirk A. Denton and Michel Hockx, eds., Literary Societies in Republican China. Lanham, MD: Lexington Books, 2008, 79-102.
Hsu, Shu Ching. "A Watershed for Taiwanese Publishing." The Book and the Computer, special online symposium called Book Culture at the Crossroads (July 2004); forthcoming in Building a New Book Road, a book about East Asian publishing collaboratively produced by publishers in Japan, South Korea, China and Taiwan [the essay focuses on the change in the Taiwan publishing industry after 1986, with the advent of mainland authors' works]
Huang, Nicole. "Fashioning Public Intellectuals: Women's Print Culture in Occupied Shanghai (1941-1945)." In Christian Henriot and Wen-hsin Yeh, eds., In the Shadow of the Rising Sun: Shanghai under Japanese Occupation. Cambridge: Cambridge UP, 2004, 325-45.
Huang, Xiang. "The Internet Helps Chinese Publisher to Plan Strategy." The Book and the Computer (Dec. 1998).
Hung, Chang-tai. "Paper Bullets: Fan Changjiang and New Journalism in Wartime China." Modern China 17, 4 (Oct. 1991): 427-468.
-----. War and Popular Culture: Resistance in Modern China, 1937-1945. Berkeley: University of California Press, 1994.
Huntington, Rania. “The Weird in the Newspaper.” In Judith T. Zeitlin and Lydia Liu, with Ellen Widmer, eds., Writing and Materiality in China: Essays in Honor of Patrick Hanan. Cambridge, MA: Harvard University Asia Center, 2003, 341-97. [deals mostly with the Dianshizhai huabao]
Huters, Theodore. "Culture, Capital and the Temptations of the Imagined Market: The Case of the Commercial Press." In Kai-wing Chow, Tze-ki Hon, Hung-yok Ip, and Don Price, eds., Beyond the May Fourth Paradigm: In Search of Chinese Modernity. Lanham, MD: Lexington Books, 2008.
Ip, Manying. The Life and Times of Zhang Yuanji, 1867-1956. Beijing: Commercial Press, 1985.
Janku, Andrea. Nur leere Reden. Politischer Diskurs und die Shanghaier Press im China des späten 19. Jahrhunderts. Wiesbaden: Harrassowitz, 2003. [MCLC Resource Center review by Barbara Mittler]
-----. "Preparing the Ground for Revolutionary Discourse: From the Jingshiwen Compilations to Journalistic Writings in Nineteenth Century China," T'oung Pao 90, 1-3 (2004): 65-121.
Jindai funu shi yanjiu (Research on women in modern Chinese history). Special issue on the journal Funu zazhi (Ladies journal).
[Contents: "Of the Women, By the Women, or For the Women? Rewriting a Brief History of the Ladies' Journal (Funu Zazhi), 1915-1931," by Jin Jungwon; "The Masculine Universal and the Feminine Other: Gender Discourse in the Ladies' Journal," by Chiang Yung-chen; "Free Divorce in Thought and Practice: Gender Differences in the Ladies' Journal," by Hsu Hui-chi; "The Rhetoric of 'Sacrifice' and 'Victimhood': The Image of Prostitutes in the Ladies' Journal," by Yao Yi; "The 'Medical Advisory Column' in the Ladies' Journal," by Chang Che-chia; "The Writers' Garden, the Toilette Case, and the Kasumam: Theory and Practice of Women's Literature in the Ladies' Journal of the 1910s," by Hu Siao-chen; "Individual Choice or National Policy: Reflections on Birth Control in Modern China As Seen in the Special Issue on Limiting Births of the Ladies' Journal in the 1920s," by Lu Fang-shang; "The Ladies' Journal and Japanese Women: 'Tong Wei Nu ren' ('commonality as women') in Modern East Asia,". by Sudo Mizuyo; "Study of Children Appeared on The Ladies' Journal (1915-1931)--Making Comparison with Xinnuxing (Chosun Colonized by Japan)," by Gee Hyun-Sook; "New Views on Chinese Women's History,".by Peter Zarrow; "Family and State over Forty Years: A Review of Family Chinese Visions of and State, 1915-1953," by Lien Ling-ling]
Judge, Joan. "The Factional Function of Print: Liang Qichao, Shibao,
and the Fissures in the Late-Qing Reform Movement." Late Imperial China
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Abstract: What has become of the collective memory in the years between the Tian'anmen incident of 1989 and the PRC joining the WTO in 2001, a period that witnessed the proliferation of McDonalds restaurants and Internet bars in Chinese cities? This paper explores the changing values through three works that take the World Wide Web as their subject, namely Love in the Internet Age, also known as Love in Cyberspace (Wanglu shidai de aiqing, 1999), Q3 (1999), and First Intimate Encounter, also known as Flyin' Dance (Diyici de qinmi jiechu, 2001). The films do not offer a single vision of cyberspace, nor do they ascribe to the same filmic aesthetics or genre. Yet as a whole they provide a glimpse of China in the Internet age. They suggest that from a repository of collective memory, cyberspace has become the arena for an alternative existence free of the limitations of time and space. They trace the trajectory from a culture insistent on collective commemoration to a society willing to suspend its consciousness outside historical memory.
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Chinese Communication
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[Abstract: This article compares Chinese literary journals from the early twentieth century with a Mainland Chinese literary website from the early twenty-first century. In both these periods, literary practice underwent significant changes as a result of major changes in the technological processes involved in the production and distribution of texts. Five aspects of these changes are examined: the mixed media environment, the provision of information about authors' identities, engagement with social issues, community building, and the relationship with serious literature. The article argues that a very traditional Chinese view of literature as a socially embedded act of communication continued to play a significant role in both periods, and was even further enhanced through interaction with the new technologies. Despite the fact that both types of publication appeal(ed) to large readerships, it is argued that it is not helpful simply to consider them as 'popular literature'. Both the journals from 100 years ago and the website of today represent literary communities that share a serious view of literature, albeit one that is not compatible with the familiar New Literature paradigm]
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Internet Filtering in China, 2004-2005: A Country Study (OpenNet Initiative, or ONI, funded by Soros’ Open Society) [you can download the whole study in pdf format from this site]
The Internet in Asia (Published by the Singapore Internet Research Centre at Nanyang Technological University. We post news items and academic research concerning the social, cultural, economic, and political impact of the Internet and other new media technologies in Asia)
"The Internet in China: A Symposium." IIAS Newsletter 33 (March 2003). [includes essays by Yang Guobin, Tsui Lokman, Ian Weber ad Lu Jia, Jens Damm, etc.]
"The Internet Under Surveillance Report: China" (2003) Reporters Without Borders Website.
Inwood, Heather. On the Scene of Contemporary Chinese Poetry. Ph. D. dissertation. London: SOAS, 2008. [deals in part with poetry websites]
Ji, Xianglei. "Obstacles to the Internet Age." The Book and the Computer (July 1999).
Lin, Hao. "China Takes Plunge Into the Digital Age." The Book and the Computer (Aug. 1998).
Liu, Kang. ""The Internet in China: Emergent Cultural Formations and Contradictions." In Liu, Globalization and Cultural Trends in China. Honolulu: University of Hawai'I Press, 2004, 127-61.
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Meeker, Mary. "The China Internet Report." Morgan Stanley, 2004. [downloadable as pdf file from Morgan Stanley website]
Mengin, Françoise, ed. Cyber China: Reshaping National Identities in the Age of Information. New York: Palgrave MacMillan, 2004.
[Description: The essays in this volume explore the new power struggles created in China, Taiwan, and Hong Kong through information technology. The contributors analyze the interaction between the development of information technologies and social logic on the one hand and processes of unification and fragmentation on the other. They seek to highlight the strategies of public and private actors aimed at monopolizing the benefits created by the information society - whether for monetary gain or bureaucratic consolidation - as well as the new loci of power now emerging. The book is organized around two main themes: One exploring societal change and power relations, the second examining the restructuring of Greater China's space. In so doing, the book seeks to shed light on both the state formation process as well as international relations theory. Contents: "Introduction: China in the Age of Globalisation," by F.Mengin; "Speaker's Corner of Virtual Panopticon: Discursive Contruction of Chinese Identities Online," by K.Giese; "Information Technologies and the Emerging Chinese Religious Landscape," by D.Palmer; "The Changing Role of the State in Greater China in the Age of Information," by F.Mengin; "Controlling the Internet Architecture within Greater China," by C.R.Hughes; "The Internet and the Changing Beijing Taipei Relations: Towards Unification or Fragmentation?," by C.Hung; "Government Online and Cross Straits Relations," by P.Batto; "New Information Technologies and Economic Interactions Among China, Taiwan, and Hong Kong," by B.Naughton; "Cyber-Capitalism and the Remaking of Greater China," by N.Sum; "Urban Assemblages: An Ecological Sense of the Knowledge Economy," by A.Ong; "Global Networking and the New Division of Labor Across the Taiwan Straits," by T.K.Leng]
MFC Insight (Beijing-based company MFC Insight presents information on the Internet industry in China; one can subscribe to email newsletters)
Munson, Todd. "Selling China: www.cnta.com and Cultural Nationalism." The Journal of Multimedia History 2, 1 (1999).
OpenNet Initiative [University of Toronto, Harvard, Oxford, and Cambridge collaboration. ONI mission is to investigate and challenge state filtration and surveillance practices. Our approach applies methodological rigor to the study of filtration and surveillance blending empirical case studies with sophisticated means for technical verification. Our aim is to generate a credible picture of these practices at a national, regional and corporate level, and to excavate their impact on state sovereignty, security, human rights, international law, and global governance]
Ouyang, Youquan. Wangluo wenxue lungang (Thesis on internet literature). Beijing: Renmin wenxue, 2003.
Qiu, Jack. "China Internet Studies: A Review of the Field." In, Helen Nissenbaum and Monroe E. Price, eds., Academy & the Internet. New York: Peter Lang, 2004, 275-307.
Singapore Internet Research Centre
Tsui, Lokman. "The Panopticon as the Antithesis of a Space of Freedom: Control and Regulation of the Internet in China." China Information 17, 2 (2003): 65-82.
-----. "The Taste of Information: State Attempts to Control the Internet." IIAS Newsletter 33 (March 2004): 8.
US Embassy Report. "Kids, Cadres And "Cultists" All Love It: Growing Influence Of The Internet In China." (March 2001).
Voci, Paola. "Quasi-Documentary, Cellflix and Web Spoofs: Chinese Movies' Other Visual Pleasures." Senses of Cinema 41 (Oct.-Dec. 2006).
Wang, Gan. "'Net-Moms'--a New Place and a New Identity: Parenting Discussion Forums on the Internet in China." In Tim Oakes and Lousa Schein eds., Translocal China: Linkages, Identities, and the Reimagining of Space. London: Routledge, 2006, 155-65.
Weber, Ian and Lu Jia. "Handing over China's Internet to the Corportations." IIAS Newsletter 33 (March 2003): 9.
Wu, Xu. Chinese Cyber Nationalism: Evolution, Characteristics, and Implications. Lanham, MD: Lexington Books, 2007.
Xiao, Qiang. "The Internet: A Force to Transform Chinese Society?" In Lional M. Jensen and Timothy B. Weston, eds., China's Transformations: The Stories beyond the Headlines. Lanham, MD: Rowman and Littlefield, 2007.
Yang, Dali. "The Great Net of China." MadeforChina.com.
Yang, Guobin. "Mingling Politics with Play: The Virtual Chinese Public Sphere." IIAS Newsletter 33 (March 2004): 7.
-----. “The Internet and the Rise of a Transnational Chinese Cultural Sphere." Media, Culture & Society 25, 4 (2003): 469-490.
----. "The Internet and Civil Society in China: A Preliminary Assessment." Journal of Contemporary China 12 (36) (Aug. 2003): 453-75.
[Abstract: This article assesses the preliminary impact of the Internet on civil society development in China. Based on survey data and in-depth case studies, three areas of impact are identified and analysed. First, with respect to China's public sphere, the social uses of the Internet have fostered public debate and problem articulation. The Internet has demonstrated the potential to play a supervisory role in Chinese politics. Second, the Internet has shaped social organizations by expanding old principles of association, facilitating the activities of existing organizations and creating a new associational form, the virtual community. Finally, the Internet has introduced new elements into the dynamics of protest. The article concludes after discussing the conditions and obstacles that influence the social uses of the Internet in China, cautioning against an overoptimistic view of the role of the Internet in civil society development while stressing the importance of the Internet as a new social phenomenon in China.]
-----. "How Do Chinese Civic Associations Respond to the Internet? Findings from a Survey." The China Quarterly 189 (2007): 122-43.
[Abstract: Based on survey data collected from October 2003 to January 2004, this article provides the first systematic empirical analysis of how civic associations in urban China have responded to the internet. It shows, first, that urban grassroots organizations are equipped with a minimal level of internet capacity. Secondly, for these organizations, the internet is most useful for publicity work, information dessemination, and networking with peer and international organizations. Thirdly, social change organizations, younger organizations and organizations in Beijing report more use of the internet than business associations, older organizations and organizations outside Beijing. Finally, organizations with bare-bone internet capacity report more active use of the internet than better-equipped organizations. These findings suggest that the internet has had special appeal to relatively new organizations oriented to social change and that a “web” of civic associations has emerged in China.]
-----. "'A Portrait of Martyr Jiang Qing': The Chinese Cultural Revolution on the Internet." In Ching Kwan Lee and Guobin Yang, eds., Re-envisioning the Chinese Revolution: The Politics and Poetics of Collective Memories in Reform China. Washington, DC: Woodrow Wilson Center Press, 2007, 287-316.
Zheng, Yongnian. Technological Empowerment: The Internet, State, and Society in China. Stanford: Stanford UP, 2007.
[press blurb: Will new information technologies, especially the Internet, brin freedom and democracy to authoritarian China? This study argue that the Internet has brought about new dynamics of socio-politica changes in China, and that state power and social forces ar transforming in Internet-mediated public space. Its findings are fourfold. First, the Internet empowers both the state and society. The Internet has played an important role in facilitating political liberalization, and made government more open, transparent, and accountable. Second, the Internet produces enormous effects which are highly decentralized and beyond the reach of state power. Third, the Internet has created a new infrastructure for the state and society in their engagement with (and disengagement from) each other. Fourth, the Internet produces a recursive relationship between state and society. The interactions between the state and society over the Internet end up reshaping both the state and society.]
Zhou, Yongming. Historicizing Online Politics Telegraphy, the Internet, and Political Participation in China. Stanford: Stanford UP, 2006.
[press blurb: It is widely recognized that internet technology has had a profoun effect on political participation in China, but this new use o technology is not unprecedented in Chinese history. This is pioneering work that systematically describes and analyzes th manner in which the Chinese used telegraphy during the late Qing and the internet in the contemporary period, to participate in politics. Drawing upon insights from the fields of anthropology, history, political science, and media studies, this book historicizes the internet in China and may change the direction of the emergent field of Chinese internet studies. In contrast to previous works, this book is unprecedented in its perspective, in the depth of information and understanding, in the conclusions it reaches, and in its methodology. Written in a clear and engaging style, this book is accessible to a broad audience.]
Zhu, Jonathan J. H. and Zhou He. "Information Accessibility, User Sophistication, and Source Credibility: The Impact of the Internet on Value Orientations in Mainland China." Journal of Computer-Mediated Communication 7, 2 (January 2002). Zhou, Yongming. Historicizing Online Politics: Telegraphy, the Internet, and Political Participation in China. Palo Alto: Stanford UP, 2006.
Zittrain, Jonathan and Ben Edelman. "Empirical Analysis of Internet Filtering in China." IEEE Internet Computing 7, 2 (March/April 2003): 70-77.
Benson, Carlton. From Teahouse to Radio: Storytelling and the Commercialization of Culture in 1930s Shanghai. Ph.D. diss. Berkeley: University of California, 1996.
-----. "Back to Business as Usual: The Resurgence of Commercial Radio Broadcasting in 'Gudao' Shanghai." In Christian Henriot and Wen-hsin Yeh, eds, In the Shadow of the Rising Sun: Shanghai under Japanese Occupation. Cambridge: Cambridge University Press, 2004, 279-301.
-----. "The Manipulation of 'Tanci' in Radio Shanghai during the 1930s." Republican China 20, 2 (April 1995): 117-146.
Hamm, Charles. "Music and Radio in the PRC." Asian Music 22, 2 (Spring/Summer 1991): 1-41.
Berry, Chris. "Facing Reality: Chinese Documentary, Chinese Postsocialism." In Wu Hung, ed., The First Guangzhou Triennial: Reinterpretation: A Decade of Experimental Chinese Art (1990-2000). Guangzhou: Zhuangzhou Museum of Art/ Chicago: Art Media Resources, 2002, 121-31.
-----. "On Top of the World: An Interview with Duan Jinchuan, Director of 16 Barkhor South Street." Film International 5, 2 (1997): 60-62.
-----. "Independently Chinese: Duan Jinchuan, Jiang Yue, and Chinese Documentary." In Paul Pickowicz and Yingjin Zhang eds., From Underground to Independent: Alternative Film Culture in Contemporary China. Lanham, MD: Rowman and Littlefield, 2006, 109-22.
bjdoc.com [a site devoted to documentary film in China]
Chi, Robert. "The New Taiwanese Documentary." Modern Chinese Literature and Culture 15, 1 (Spring 2003): 146-96.
China on Video [website on documentary maintained by Paola Voci]
Chiu, Kuei-fen. "Taiwan and Its Spectacular Others: Aesthetic Reflexivity in Two Documentaries by Women Filmmakers from Taiwan." Asian Cinema 16, 1 (Spring/Summer 2005): 98-107.
-----. "The Vision of Taiwan New Documentary." In Darrell William Davis and Ru-Shou Robert Chen, eds., Cinema Taiwan: Politics, Popularity and State of the Arts. NY: Routledge, 2007, 17-32.
Chu, Yingchi. Chinese Documentaries: From Dogma to Polyphony. NY: Routledge, 2007.
The Da Zha Lan Project (This project is about researching and filming the area of Da Zha Lan, which is a slum in Beijing.The Da Zha Lan Project is an extension of San Yuan Li (the village-in-city in Guangzhou), a project that was featured in the 50th Venice Biennale in 2003. Together with an upcoming project about Caoyang Xincun in Putuo District in Shanghai (a workers' community in Shanghai, 2006), it will make up a series of research and creative practice concerning urbanization and impoverished communities in cities in China.)
Denton, Kirk A. "Storm Under the Sun: An Introduction," liner notes to the DVD version of the documentary Storm Under the Sun, directed by Peng Xiaolian and S. Louisa Wei. Hong Kong: Blue Queen Cultural Communication, 2007.
Fang Fang. Zhongguo jilupian fazhan shi (A history of the development of Chinese documentary film). Beijing: Zhongguo xiju, 2003. [reviewed by Shan Wanli at Documentary Box]
He, Chang. "The Raw and the Real." City Weekend (August 1, 2005).
Jacka, Tamara and Josko Petkovic. "Ethnography and Video: Researching Women in China's Floating Population." Intersections (Sept. 1998).
Jaffee, Valerie. "Every Man a Star: The Ambivalent Cult of Amateur Art in New Chinese Documentaries." In Paul Pickowicz and Yingjin Zhang eds., From Underground to Independent: Alternative Film Culture in Contemporary China. Lanham, MD: Rowman and Littlefield, 2006, 77-108.
Jilu guandian (Viewpoint). [a site on the Taiwan Public Television Station website devoted to Taiwan documentary film]
Johnson, Matthew David. "A Scene Beyond Our Line of Sight: Wu Wenguang and New Documentary Cinema's Politics of Independence." In Paul Pickowicz and Yingjin Zhang eds., From Underground to Independent: Alternative Film Culture in Contemporary China. Lanham, MD: Rowman and Littlefield, 2006, 47-76.
Leary, Charles. "Performing the Documentary, or Making It to the Other Bank." Senses of Cinema 27 (July/Aug. 2003).
Lee, Maggie. "Behind the Scenes: Documentaries in Mainland China, Taiwan, and Hong Kong." Documentary Box 26 (2005).
Lin, Xudong. "Documentary in Mainland China." Tr. Cindy Carter. Documentary Box 26 (2005).
Lu, Xinyu. Jilu Zhongguo: Dangdai Zhongguo xin jilu yundong (Recording China: Contemporary Chinese new documentary movement). Beijing: Sanlian, 2003. [reviewed by Feng Yan at Documentary Box]
-----. "Ruins of the Future: Class and History in Wang Bing's Tiexi District." New Left Review 31 (Jan-Feb, 2005)
Palmer, Augusta L. Crossroads: Nostalgia and the Documentary Impulse in Chinese Cinemas at the Turn of the 21st Century. Ph. D. diss. NY: New York University, 2004.
Reel China: Documentary Biennal (PRC documentary films available for public showing)
Reynaud, Berenice. "New Visions / New China: Video--Art, Documentation, and the Chinese Modernity Question." In Michael Renov and Erika Suderburg, eds., Resolutions: Contemporary Video Practices. Minneapolis: Univesity of Minnesota Press, 1996, 229-57.
----. "Dancing with Myself, Drifting with My Camera: The Emotional Vagabonds of China's New Documentary." Senses of Cinema 28 (Sept-Oct. 2003).
Shan Wanli. Jilu dianying wenxian (Documents on documentary film). Beijing: Zhongguo guangbo dianshi, 2001.
-----. Zhongguo jilu dianying de lishi (History of Chinese documentary film). Beijing: Zhongguo dianying, 2005.
Shen, Rui. "To Remember History: Hu Jie Talks About His Documentaries." Senses of Cinema 35 (2005).
Sun, Jianqiu. "Sound adn Color in Sun Mingjin's Silent b/w Films: The Paradox of a Documentary/Educational Filmmaker." Asian Cinema 17, 1 (Spring/Sumer, 2006): 221-29.
Taiwan International Documentary Festival [official site of this important and popular documentary film fest]
Tsai, Futuru C. L. Amis Hip Hop
[website devoted to the documentary Amis Hip Hop; the entire documentary can be viewed online; "Amis Hip Hop documents how a group of young Amis men in Dulan village have blended influences from contemporary social and cultural life in Taiwan with their traditional practice of ritual dance performance in the village. When people think of Amis in Taiwan, images of colorfully dressed female dancers welcoming visitors, or else repetitive chanting in a circle dance at a harvest festival, come to mind. However, the Amis young men of Dulan village on the east coast of Taiwan have been creating a new style of performance that is still based on their traditions. Rooted in the Amis ethos of respect for male age-grade organization, matrilineal affiliation, intimacy with the ocean, and appreciation of joking relationships, these young men also blend in elements of foreign fashion in music and dance all while keeping with traditional village aesthetics. Through their performances, they represent a new image to both locals and outsiders, and actively construct their local identity as Dulan Amis"]
Voci, Paola. "From the Center to the Periphery: Chinese Documentary’s Visual Conjectures."Modern Chinese Literature and Culture 16, 1 (Spring 2004): 65-113.
-----. "Un intento sincero e dei metodi onesti: Riflessioni sul documentario Cina di Antonioni e il nuovo documentario cinese" (A sincere purpose and honest means: Rethinking Antonioni’s documentay ‘China’ and the new Chinese documentary). In Maurizio Scarpari and Tiziana Lippiello, eds., Cher Maître…Scritti in onore di Lionello Lanciotti per l’ottantesimo compleanno. Venezia: Ca’ Foscarina, 2005: 1234-1248.
-----. "Dal grande al piccolo schermo: nuovi sviluppi del documentario cinese" (From silver screen to small screen: new developments of Chinese documentary). In Ombre Elettriche: Cento anni di cinema cinese 1905-2005 (Electric shadows: 100 years of Chinese cinema 1905-2005). Venezia: Fondazione La Biennale di Venezia, 2005: 158-167.
-----. "Quasi-Documentary, Cellflix and Web Spoofs: Chinese Movies' Other Visual Pleasures." Senses of Cinema 41 (Oct.-Dec. 2006).
-----. "Chinese Documentary: Changing Film Culture in China." China on Video.
Wang, Ban. "Documentary as Haunting of the Real: The Logic of Capital in Blind Shaft." Asian Cinema 16, 1 (Spring/Summer 2005): 4-15.
-----. "In Search of Real-Life Images in Chinaa: Realism in the Age of Spectacle." Journal of Contemporary China 56 (August 2008): 497-512.
[Abstract: This essay re-examines new realism in documentary film and photography in China. Distinct from official realism, genuine realism requires that experience be seen within its real environment and characters and actions of a realist work be shaped by that environment. This principle challenges the visual regime of spectacle controlled by the expanding global cultural industry. Documentary realism represents a penetrating social comment but also recovers a materialist understanding of workers' life and conditions in China. Photo-realism on the other hand uncovers the forgotten ways of life among ordinary people in the fast modernization of the cities.]
Wang, Qi. "Navigating on the Ruins: Space, Power, and History in Contemporary Chinese Independent Documentaries." Asian Cinema 17, 1 (Spring/Sumemr 2006): 246-55.
Wang Weici (also Wang Wei-tsy). Jilu yu tansuo: yu dalu jilupian gongzuozhe de shiji duihua (Recording and exploring: conversations with documentarians from Mainland China). Taibei: Yuanliu, 2000.
Woei Lien Chong and Anne Sytske Keijser. "Modernizing Mainland China: PRC Films and Documentaries at the Royal Tropical Institute in Amsterdam, 1999." China Information 14, 1 (1999): 171-207.
Wu, Wenguang. "Just on the Road: A Description of the Individual Way of Recording Images in the 1990s." In Wu Hung, ed., The First Guangzhou Triennial: Reinterpretation: A Decade of Experimental Chinese Art (1990-2000). Guangzhou: Zhuangzhou Museum of Art/ Chicago: Art Media Resources, 2002, 132-38.
Ye, Lou. "Popular Documentary Films." Beijing Review 41, 26 (June 29, 1998): 28-29.
Yunnan Multicultural Visual Festival [Documentary film festival in Kunming, Yunnan]
Zhang, Yingjin. "Styles, Subjects, and Special Points of View: A Study of Contemporary Chinese Independent Documentary." New Cinemas: Journal of Contemporary Film [England] 2, 2 (2004): 119-35.
Zhu Jingjiang and Mei Bing. Zhongguo duli jilupian dang'an (A record of independent Chinese documentary). Shanxi: Shifandaxue, 2004.
Zhu, Ying and Tongdao Zhang. "Sun Mingjin and Early Chinese Documentary Filmmaking." In Marco Muller and Elena Pollachi, eds., Ombre Elettriche.Cento anni di cinema cinese 1905-2005. Venice: Fondazione La Biennale di Venezia, 2005, 64-74.
-----. "Sun Mingjin and John Grierson, a Comparative Study of Early Chinese and British Documentary Film Movements." Asian Cinema 17, 1 (Spring/Summer 2006): 230-45.
Ballew, Tad. "Xiaxiang for the '90s: The Shanghai TV Rural Channel and Post-Mao Urbanity amid Global Swirl." In Nancy Chen, et al, eds., China Urban: Ethnographies of Contemporary Culture. Durham: Duke UP, 2001, 242-73.
Barme, Geremie. "TV Requiem for the Myths of the Middle Kingdom." Far Eastern Economic Review (Sept. 1, 1988).
-----. "'Road' Versus 'River.'" Far Eastern Economic Review (Oct. 25, 1990).
Chan, Alex. "From Propaganda to Hegemony: Jiaodian Fangtan and China's Media Policy." Journal of Contemporary China 16 (30) (Feb. 2002): 35-51.
[Abstract: This paper reports the findings of an empirical study of the current affairs program Jiaodian Fangtan , which attracts a daily audience of 300 million. A content analysis of the transcripts of all reports of this program in 1999 shows that although the program is indeed unconventional in its criticism of local cadres, it remains conservative in its subtle and cautious control of the frequency, timing, level, and content of the criticism. Further analysis of the government's media policy shows that in the 1990s, it redefined the primary role of media as agenda-setting, which allows the expression of the people's voice, though priority is still given to the party's voice. To this extent, China's media policy gradually shifted away from propaganda and towards hegemony before the turn of the century.
Chan, Joseph Man. "Television in Greater China." In John Sinclair, Elizabeth Jacka, and Stuart Cunnignham, eds., New Patterns in Global Television: Peripheral Vision. Oxford: Oxford UP, 1996, 126-60.
Chang, Chin-Hwa Flora. "Multiculturalism and Television in Taiwan." In Michael Richards and David French, eds., Televsion in Contempoary Asia. Thousand Oaks, CA: Sage Publications, 2000, 405-20.
Chen, Guangzhong. "Beating the Drum of the Mind to March Forward with Spirit: The Artistic Characteristics of the Political Television Documentary The Course of the Century." Chinese Sociology and Anthropology 25, 1 (Fall 1992): 83-91.
Chen, Xiaomei. "Occidentalism as Counterdiscourse: 'He Shang' in Post-Mao China." Critical Inquiry 18, 4 (1992): 686-712.
Chen, Y. and Hao, X. "Conflict Resolution in Love Triangles:
Perspectives Offered by Chinese TV Dramas." Intercultural
Communication Studies 7 (1997-98): 133-148.
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Experimentation and Boundaries." China Information
7, 4 (1993): 20-32.
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Chu, J. "Broadcasting in the People's Republic of China." In John Lent, ed., Broadcasting in Asia and the Pacific. Philadephia: Temple UP, 1978, 21-24.
Classic Chinese Television Commercials. Danwei.org. Posted by Joel Martinsen (Sept 16, 2008).
Curtin, Michael. Playing to the World's Biggest Audience: The Goblalization of Chinese Film and TV. Berkeley: University of California Press, 2007.
[In this provocative analysis of screen industries in China, Hong Kong, Taiwan, and Singapore, Michael Curtin delineates the globalizing pressures and opportunities that since the 1980s have dramatically transformed the terrain of Chinese film and television, including the end of the cold war, the rise of the World Trade Organization, the escalation of democracy movements, and the emergence of an East Asian youth culture. Reaching beyond national frameworks, Curtin examines the prospect of a global Chinese audience that will include more viewers than in the United States and Europe combined. He draws on in-depth interviews with a diverse array of media executives plus a wealth of historical material to argue that this vast and increasingly wealthy market is likely to shake the very foundations of Hollywood's century-long hegemony.]
De Jong, Alice. "The Demise of the Dragon: Bacgrounds to the Chinese Film 'River Elegy.'" China Information 4, 3 (Winter 1988-89): 28-43.
Del Lago, Francesca. "The Fiction of Everyday Life: Video Art in the PRC." Art Asia Pacific 27 (2000): 53-57.
Ding, Ersu. "Imperfect Paradise: The Image of the US on Chinese TV." In Yahya R. Kamalipour ed., Images of the US Around the World: A Multicultural Perspective. Albany: SUNY Press, 1999, 221-28.
Erwin, Kathleen. "White Women, Male Desires: A Televisual Fantasy of the
Transnational Family." In Mayfair Mei Hui Yang, ed. Spaces of Their
Own: Women's Public Sphere in Transnational China. Minneapolis: University
of Minnesota Press, 1999, 232-57. [about the mainland tv drama Sunset at
Long Chao Li, by an anthropoligist who performed in the drama].
Field, Stephen. "He shang and the Plateau of Ultrastability."
Bulletin of Concerned Asian Scholars 23, 3 (1991): 4-13.
French, David and Michael Richards, eds. Television in Contemporary Asia.
Thousand Oaks, CA: Sage Publications, 2000.
Guo Zhenzhi, ed. Zhongguo dianshi shi (History of Chinese television).
Beijing: Zhongguo renmin daxue, 1991.
Ho, Chang Won. Mass Media in China: The History and the Future. Ames, IA: Iowa State UP, 1989.
Hong, Junhao. The Internationalization of Television in China: The Evolution of Ideology, Society, and Media since the Reform. Westport, CT: Praeger, 1998.
-----. "China's TV Program Import 1958-1988: Towards the Internationalization of Television?" Gazette 52 (1993): 1-23.
-----. "Penetration and Interaction of Mass Media between Taiwan, Hong Kong and the Mainland China: Trends and Implications." In Bin Yü and Tsungting Chung, eds., Dynamics and Dilemma: Mainland, Taiwan and Hong Kong in a Changing World. New York: Nova Science Publishers, 1996.
----- "Reconciliation between Openness and Resistance: Media Globalization
and New Policies of China's Television in the 1990s." In Georgette Wang,
Jan Sevaes, adn Anura Goonasekera, eds., The New Communications Landscape:
Demystifying Media Globalization. London: Routledge, 2000, 288-306.
Howkins, John. Mass Communications in China. NY: Longman, 1982. [contains
a chapter on television]
"Hua shuo Kewang" (Speaking of Aspirations). Special issue on the TV drama Aspirations. Shanghai wenlun 2 (1991).
Huang, Yu. "Why Party Media Backfired? Television as the Agent of Social Changes in Post-Mao China." Journal of Radio and Television Studies 2-4 (1996): 169-96.
-----. "Peaceful Evolution: The Case of Television Reform In Post-Mao China." Media, Culture & Society 16 (1994): 217-41.
Huang, Yu and Andrew Green. "From Mao to the Millenium: 40 Years of Television
of China (1958-1998)." In Michael Richards and David French, eds., Televsion
in Contempoary Asia. Thousand Oaks, CA: Sage Publications, 2000, 267-92.
Jacka, Tamara and Josko Petkovic. "Ethnography
and Video: Researching Women in China's Floating Population." Intersections
(Sept. 1998).
Keane, Michael. "Television and Moral Development in China."Asian Studies Review 22, 4, (Dec. 1998): 475-504.
-----. "Television and Civilisation: The Unity of Opposites?" International Journal of Cultural Studies 2, 2, (1999): 246-259.
-----. "Send in the Clones: Television Formats and Content Creation in the People's Republic of China." In Donald, S, Keane, M. and Yin Hong eds, Media in China: Consumption, Content, and Crisis. Curzon Press, 2001, 176-202.
-----. 'Television Regulation, Creative Compliance, and the
Myth of Civil Society in China." Media, Culture and Society
23 (2001): 791-806.
-----. "By the Way, FUCK YOU! Feng Xiaogang's Disturbing Television Dramas."
Continuum 15, 1 (2001): 57-66.
-----. "Cultural Technology Transfer: Redefining Content in the Chinese Television Industry." Emergences: Journal for the Study of Media and Composite Cultures 11, 2 (2001): 221-234.
-----. "As a Hundred Television Formats Bloom, A Thousand Television Stations Contend." Journal of Contemporary China 11, 30 (2002): 5-16.
[Abstract: This paper looks at the growing trend towards television format adaptation as an industry development strategy in China. As China's television industry professionals imagine a commercial future, this vision is tempered by the reality of a deficit of quality content. Program schedules exhibit limited variety and are dominated by cheap variety show formats, royal court television dramas, game shows, and news. In search of new ways to stimulate audiences, producers have looked outside China to formats successful in Taiwan, SAR Hong Kong, Japan, Europe and the US. The localization of foreign programs represents a more useful experiment for China's domestic industry than the importation of finished programs. Unlike finished programs the format can be 'filled' with culturally specific content, and where licensed co-productions ensue there is the potential for added value in terms of technology transfer. I argue, however, that the strategy of format adaptation is a short-term solution to program development that is unlikely to stimulate a creative media-based economy.]
-----. 'Television Drama in China: Engineering Souls for the Market." In Richard King and Timothy Craig, eds., Global Goes Local: Popular Culture in Asia. Vancouver: University of British Colombia Press, 2001, 176-202.
----. "It's All in a Game: Television Formats in the People's Republic of China." In Koichi Iwabuchi, Stephen Muecke, and Mandy Thomas eds., Rogue Flows: Trans-Asian Cultural Traffic. HK: Hong Kong University Press, 2004, 53-72.
Keane, Michael and Tao Dongfeng. "Conversation with Feng Xiaogang , Director of TV series 'Beijingers in New York.'" positions: east asia cultures critiques, 7, 1 (Spring 1999): 193-200.
Lee, Gregory. "Chineseness and MTV: Construction of the 'Ethnic' Imaginary and the Recuperation of National Symbolic Space by the Official Ideology." In Mario Vieira de Carvalho, ed., Music and Lifeworld: Otherness and Transgression in the Culture of the Twentieth Century (in memoriam Fernando Lopes Graça). Lisbon: Fundaçao D. Luis I.
Lee, Haiyan. "Nannies for Foreigners: The Enchantment of Chinese Womanhood in the Age of Millennial Capitalism." Public Culture 18, 3 (Fall 2006): 507-29.
Lee, Paul S. N. "Hong Kong Television: An Anchor for Local Identity." In Michael Richards and David French, eds., Television in Contempoary Asia. Thousand Oaks, CA: Sage Publications, 2000, 363-84.
Li, Xiaoping. "'Focus' (Jiaodian Fangtan) and the Changes in the Chinese Television Industry." Journal of Contemporary China 11 (30) (Feb. 2002): 17-34.
[Abstract: As China changes, so the Chinese television industry changes. Once exclusively supported and supervised by the Communist government, Chinese television channels have been granted increased autonomy in the past two decades as China has pursued a policy of economic liberalization. This paper will outline the significant structural changes in the Chinese television industry over the past several years, particularly at China Central Television (CCTV). It will focus on the phenomenon of a highly popular program, 'Focus', (jiao dian fang tan) as a case study to analyse the impact of changing television programs on Chinese politics and society.]
Lin, Min and Maria Galikowski. "From 'River Elegy' to China Can Say No: China's Neo-Nationalism and the Search for Collective National Identity." In Min Lin and Maria Galikowski, The Search for Modernity: Chinese Intellectuals and Cultural Discourse in the Post-Mao Era. NY: St. Martin's Press, 1999, 89-102.
Lin, Szu-Ping. “The Woman with Broken Palm Lines: Subject, Agency, Fortune-Telling, and Women in Taiwanese Television Drama.” In Jenny Kwok Wah Lau, ed., Multiple Modernities: Cinemas and Popular Media in Transcultural East Asia. Philadelphia: Temple UP, 2003, 222-37.
Liu, Lydia H. "What's Happened to Ideology? Transnationalism, Postsocialism, and the Study of Global Media Culture." Working Papers in Asian/Pacific Studies. Durham: Duke University, 1998. [focuses on "Beijingers in New York"]. Rpt in positions 7, 3 (Winter 1999): 763-97.
Liu, Toming Jun. "Uses and Abuses of Sentimental Nationalism: Mnemonic Disquiet in Heshang and Shuobu." Modern Chinese Literature and Culture 13, 1 (Spring 2001): 169-209.
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The Complete Reference to China / Chinese Related Television and Radio Websites (Chinasite.com)
PRC:
National:
CCTV
CCTV3 (General Arts channel)
CCTV4 (International channel) [has live webcast]
CCTV9 (English channel) [live webcast]
Zhongyang Dianshitai Dianying Weixing Pindu (China's national all-movies satellite channel)
Beijing:
Beijing TV
Beijing TV Video Online (provides Beijing TV programs on the Web in Real Video format)
Beijing Music Radio FM 97.4 (has online broadcast in real-time, RealAudio format)
Beijing People's Broadcasting Station
Shanghai:
Guangdong: