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Wang Anni (Annie Wang)
Lili: A Novel of Tiananmen. NY: Pantheon, 2001.
The People's Republic of Desire. NY: Harper, 2006.
Wang Anyi
Baotown. Tr. Martha Avery. NY: Viking Penguin, 1985.
"Between Themselves" (Renren zhijian), Tr. Gladys Yang. Chinese
Literature (Winter 1987): 3-17. In Carolyn Choa and David Su Li-qun, eds.,
The Vintage Book of Contemporary Chinese Fiction. NY: Vintage Books,
2001, 63-80. Also in In Jianing Chen, ed. Themes in Contemporary Chinese
Literature. Beijing: New World Press, 1993, 281-98.
Brocade Valley. Tr. McDougall and Chen Maiping. NY: New Directions, 1992.
"Brothers." Tr. Diana B. Kingsbury. In I Wish I Were a Wolf: The
New Voice in Chinese Women's Literature. Beijing: New World Press, 1994,
158-212.
"Brothers." Tr. Jingyuan Zhang. In Patricia Sieber, ed., Red Is Not the Only Color: Contemporary Chinese Fiction on Love and Sex between Women, Collected Stories. Lanham, MD: Rowman and Littlefield, 2001, 93-142.
"The Death of an Artist." In The Mystified Boat and Other New
Stories from China. Eds. Frank Stewart and Herbert J. Batt. Special issue
of Manoa: A Pacific Journal of International Writing 15, 2 (Winter
2003). Honolulu: University of Hawaii Press, 135-41.
"The Destination." Tr. Yu Fanqin. Chinese Literature (Autumn
1984): 3-24. Also in Lapse of Time.
"Friends" (Pengyou), In Nienling Liu, ed., The Rose Colored Dinner.
HK: Joint Publishing Company, 1988, 123-33.
"Granny." Tr. Howard Goldblatt. In Joseph S. M. Lau and Howard Goldblatt, eds., The Columbia Anthology of Modern Chinese Literature. NY: Columbia UP, 2007, 462-69. [first chapter of Wang's novel Fu Ping]
"Lao Kang Come Back" (Lao Kang guilai). In Jeanne Tai, ed., Spring
Bamboo: A Collection of Contemporary Chinese Short Stories. NY: Random House,
1989, 41-55. Also as "Lao Kang Is Back." Tr. Denis C. Mair. In Yang
Bian, ed., The Time is Not Ripe: Contemporary China's Best Writers and Their
Stories. Beijing: Foreign Languages Press, 1991, 225-37.
Lapse of Time. Tr. Jeffrey Kinkley. San Francisco: China Books, 1988.
"Life in a Small Courtyard" (Xiaoyuan suoji). Tr. Hu Zhihui. Chinese
Literature 7 (1981): 64-83. Rpt. in Seven Contemporary Chinese Women
Writers Beijing: Panda Books, 1982, 255-80. Rpt. in Carolyn Choa and David
Su Li-qun, eds., The Vintage Book of Contemporary Chinese Fiction. NY:
Vintage Books, 2001, 42-62.
Love on a Barren Mountain. Tr. Eva Hung. HK: Renditions, 1991.
Love in a Small Town. Tr. Eva Hung. HK: Renditions, 1988.
"Miaomiao" (Miaomiao). Tr. Don J. Cohen, Chinese Literature (Spring 1992): 20-65. Rpt. in Six Contemporary Chinese Women Writers, IV.
Beijing: Panda, 1995, 194-263.
"The Mouth of the Famous Female Impersonator" (Mingdan zhikou). Tr.
Janice Wickeri, Renditions, special issue, 27/28 (1987): 174-83.
"Needed, A Spirit of Courageous Self-Examination." Tr. Ellen Lai-shan
Yeung. In Helmut Martin, ed., Modern Chinese Writers: Self-portrayals.
Armonk, NY: M.E. Sharpe, 1992, 124-27.
"Sisters." Tr. by Ihor Pidhainy and Xiaomiao Lan. In Shu-ning Sciban and Fred Edwards, eds., Dragonflies: Fiction by Chinese Women in the Twentieth Century (East Asia Series 115). Ithaca: East Asia Program, Cornell University, 2003, 188-222.
Song of Everlasting Sorrow. Trs. Michael Berry and Susan Chan Egan. NY: Columbia University Press, 2008. [MCLC Resource Center review by Michel Hockx]
[Press blurb: Set in post-World War II Shanghai, The Song of Everlasting Sorrow follows the adventures of Wang Qiyao, a girl born of the longtong, the crowded, labyrinthine alleys of Shanghai's working-class neighborhoods. Infatuated with the glitz and glamour of 1940s Hollywood, Wang Qiyao seeks fame in the Miss Shanghai beauty pageant, and this fleeting moment of stardom becomes the pinnacle of her life. During the next four decades, Wang Qiyao indulges in the decadent pleasures of pre-liberation Shanghai, secretly playing mahjong during the antirightist Movement and exchanging lovers on the eve of the Cultural Revolution. Surviving the vicissitudes of modern Chinese history, Wang Qiyao emerges in the 1980s as a purveyor of "old Shanghai"-a living incarnation of a new, commodified nostalgia that prizes splendor and sophistication-only to become embroiled in a tragedy that echoes the pulpy Hollywood noirs of her youth. From the violent persecution of communism to the liberalism and openness of the age of reform, this sorrowful tale of old China versus new, of perseverance in the face of adversity, is a timeless tale of our never-ending quest for transformation and beauty.]
"Speaking of Lao Bing" (Huashuo Lao Bing). Tr. Chad Phelan. Chinese
Literature (Autumn 1989): 81-92.
"The Stage, a Miniature World" (Wutai xiao shijie). Tr. Song Shouquan. Chinese Literature 9 (1983): 49-71.
"Tales of Gender." Tr. Gao Jin. In Chaohua Wang, ed., One China, Many Paths. London: Verso, 2003, 250-56.
"Under the Street Lights." Tr. Shin Yong Robson. Renditions 69 (2008): 107-111.
Years of Sadness: Selected Autobiographical Writings of Wang Anyi. Tr. Wang Lingzhen and Mary Ann O'Donnell. Ithaca: Cornell East Asian Series, 2010.
Wang Changxiong (Wang Ch'ang-hsiung)
"Strong Currents." Tr. Sonja Arntzen. Taiwan Literature: English Translation Series no. 20 (2007): 35-72.
Wang Dan
"Prison Memoir" (excerpt). Tr. Wen Huang. Words Without Borders (July 2009).
"Twenty Years After Tiananmen." Words Without Borders (July 2009).
Wang Dingjun
"Footprints" (Jiao yin). Tr. David Pollard. In Pollard, ed., The
Chinese Essay. NY: Columbia UP, 2000, 300-03.
"The Last Word in Beauty and Ugliness" (Zui mei he zui chou). Tr. David Pollard. In Pollard, ed., The Chinese Essay. NY: Columbia UP, 2000, 295-300.
"'Marvelling at Life'." Tr. Lily Liu. The Chinese
Pen (Winter 1991): 26-32.
"On the Eve of Departure." Tr. Candice Pong. The
Chinese Pen (Summer 1980): 43-54.
"A Patch of Sunlight" (Yi fang yangguang). Tr. Nicolas Koss. In Pang-yuan
Chi, ed., Taiwan Literature in Chinese and English. Taipei: Commonwealth
Publishing, 1999, 1-26.
"Red Ribbons." Tr. Eve Markowitz. The Chinese Pen (Autumn1979):
44-55.
"The Soil." Tr. Una Y.T. Chen. The Chinese Pen (Summer 1978):
57-78. Reprinted in Nancy Ing, ed., Winter Plum: Contemporary Chinese Fiction.
Taipei: Chinese Materials Center, 1982, 393-411.
"The Wailing Chamber." Tr. Simon Chau. Renditions 8 (1977):
137-46.
Wang Dungen
"Remarks on the Publication of Saturday." Tr. Gilbert C.F.
Fong. In Kirk A. Denton, ed., Modern Chinese Literary Thought. Stanford:
Stanford UP, 1996, 243-44.
Wang Duqing
"Ten Venetian Poems by Wang Duqing: Chinese Entry into Literary Decadence."
Tr. Marian Galik. Asiatica Venetiana 1 (1996).
Wang Gang
English: a Novel. Trs.
Martin Merz and Jane Weizhen Pan. NY: Viking Penguin, 2009.
"Recollections of the Hunan Cemetery." Pathlight: New Chinese Writing 2 (2012): 46-51.
Wang Guowei
"A Group of Wang Kuo-wei's Tz'u Poems: With an Introduction." Tr.
Ching-i Tu. In David C. Buxbaum and Frederick W. Mote, eds., Transition and
Permanence: Chinese History and Culture. HK: Cathay Press, 1972, 379-93.
"Incidental Remarks on Literature." Tr. Kam-ming Wong. In Kirk A.
Denton, ed., Modern Chinese Literary Thought. Stanford: Stanford UP,
1996, 90-95.
“Wang Guowei on Theater.” In Faye Chunfang Fei, ed./tr., Chinese Theories of Theater and Performance from Confucius to the Present. Ann Arbor: University of Michigan Press, 1999, 103-08.
Wang Jiada
"Daughter of the Yellow River." In Hong Zhu, ed./tr.
The Chinese Western. NY: Ballantine, 1988. Also in Spring of
Bitter Waters: Short Fiction from China Today. London: W.H.
Allen and Co., 1989.
Wang Jiaxin
Poems in Wang Ping, ed., New Generation: Poems from
China Today. Brooklyn: Hanging Loose Press, 1999, 119-21.
Poems in Chinese Literature Today. Trs. John A. Crespi and John Cavanagh. 2, 1 (2011): 83-85.
"Simple Autobiography," "Christmas 2002," "The Last Days lf Octavio Paz," from A Darkening Mirror. Trs. George O'Connell, Diana Shi, John A. Crespi. Atlanta Review xiv, 2 (Spring/Summer 2008): 43-47.
Stairway: Selected Poems by Wang Jiaxin. Tr. John Cayley. London: Wellsweep, n.d. [available only as an electronic Expanded Book]]
Wang Jingwei
China's Leaders and Their Policies: Messages to the Chinese People.
With Kai-shek Chiang. Shanghai: China United Press, 1935.
The Chinese National Revolution: Essays and Documents. Peiping: China United Press, 1931.
Fundamentals of National Salvation: A Symposium. Shanghai: China United Press, 1942.
Poems of Wang Ching-wei. London: G. Allen & Unwin, 1938.
Wang Junhua
Poems in: The Isle Full of Noises: Modern Chinese Poetry from Taiwan.
Ed/tr. Dominic Cheung. NY: Columbia UP, 1987, 130-38.
Wang Keping
"The Retrial of Wei Jingsheng." Renditions 31
(Spring 1989)..
Wang Kuishan
"Parting." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 27-28.
Wang Lan
"The Applicant." Tr. Nancy Ing. In Nancy Ing, ed., Ivory
Balls and Other Stories. Taipei: Meiya, 1970, 101-108.
The Blue and the Black. Tr. Davod Steelman. Taipei: Chinese
Materials Center, 1987.
"My Girlfriend Hsia Pei." Tr. Lieu Hou-shen. The
Chinese Pen, (Winter, 1976): 36-67.
"My Wife's Secret." In Lucian Wu, trans. and ed., New
Chinese Stories: Twelve Short Stories By Contemporary Chinese
Writers. Taipei: Heritage Press, 1961, 281-307.
Wang Lixiong
China Tidal Wave: A Novel [Huang huo]. Tr. Anton Platero. Global Oriental, 2007.
Wang Lindong
"Parting." Tr. Lily Liu. The Chinese Pen, (Spring,
1991): 30-46.
Wang Luyan
"On the Bridge." In Stories of the Thirties. Beijing: Panda Books, vol. 1, 302-23.
"The Sorrows of Childhood." In Stories of
the Thirties. Beijing: Panda Books, vol. 1, 275-301.
Wang Meng
Alienation. Tr. Nancy Lin and Tong Qi Lin. HK: Joint Publishing,
1993.
"Andante Cantabile." Tr. Hy Zhihui. Chinese Literature, 10 (1983):
5-76.
"Anecdotes of Chairman Maimaitai." Tr. Zhu Hong. In
Zhu Hong, ed., The Chinese Western. NY: Ballantine, 1988,
152-64. Also in Spring of Bitter Waters: Short Fiction from
China Today. London: W.H. Allen and Co., 1989. Also translated
as "The Anecdotes of Section Chief Maimaiti: Uighur 'Black
Humor.'" Tr. with an annotated introduction by Philip F.
Williams. Journal of Asian Culture 8 (1984): 1-30.
"The Barber's Tale." Tr. Yu Fanqin. Chinese Literature, 7 (1980):
22-40. Also in Butterly and Other Stories.
"Banished to Xinjiang, Or About Bestial Hatred of Literature."
Tr. Catherine Pease Campbell. In Helmut Martin, ed., Modern
Chinese Writers: Self-portrayals. Armonk, NY: M.E. Sharper,
1992, 54-60.
A Bolshevik Salute: A Modernist Chinese Novel. Tr. Wendy
Larson. Seattle: University of Washington Press, 1989.
Butterfly and Other Stories. Beijing: Chinese Literature,
1983.
"Disputatiatis." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 189.
"Diverging
Cultural Values in Contemporary China." Tr. Zha Jianying.
Talk presented at the James A. Baker III Institute for Public
Policy, Rice University (March 11, 1998).
"Exciting." Tr. Long Xu. In Long Xu, ed., Recent
Fiction From China 1987-1988: Selected Stories and Novellas.
Lewiston: The Edwin Mellen Press, 1991, 1-6.
"Eyes of the Night." In Kwok-kan Tam, Terry Siu-Han
Yip, Wimal Dissanayake, eds., A Place of One's Own: Stories
of Self in China, Hong Kong, and Singapore. NY: Oxford UP,
1999, 113-25.
"Issues
in Contemporary Chinese Literature: Informal Roundtable Discussion
by Three Authors: Wang Meng, Liu Sola, Zha Jianying."
Tr. Marshal McArthur. Baker Institute, Rice University (March
10, 1998).
"Learning to Talk." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 19.
"Little, Little, Little, Little, Little . . ." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 197-201.
"The Lovesick Crow and Other Fables." In Carolyn
Choa and David Su Li-qun, eds., The Vintage Book of Contemporary
Chinese Fiction. NY: Vintage Books, 2001, 143-54.
"A Night in the City." Chinese Literature, 7 (1980): 41-50. Also
trans. as "The Eyes of Night." in Butterflies and
Other Stories. pp. 102-112. Also trans. as "The Eye of
Night" by Janice Wickeri. In Lee Yee, ed., The New Realism:
Writings From China After the Cultural Revolution. NY: Hippocrene
Books, 1983, 92-101. Also trans. as "Eye of the Night "
by Donald A. Gibbs. In Perry Link, ed., Roses and Thorns: The
Second Blooming of the Hundred Flowers in Chinese Fiction.
Berkeley: University of California Press, 1984, 43-55.
"On 'A Young Man Arrives at the Organization Department." In Hualing Nieh, ed., Literature of the Hundred Flowers, Volume II: Poetry and Fiction. NY: Columbia UP, 1981, 511-17.
"Praise on Suzhou" [Suzhou fu]. Tr. Martin Woesler. In Martin Woesler, ed., 20th Century Chinese Essays in Translation. Bochum: Bochum UP, 2000, 170-72.
"The Presence of Feeling in the Absence of Feeling." In Hualing Nieh, ed., Literature of the Hundred Flowers, Volume II: Poetry and Fiction. NY: Columbia UP, 1981, 533-44.
"Right to the Heart of the Matter." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 92-93.
"A Shaved Head." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 6.
Selected Works of Wang Meng. 2 vols. Beijing: Foreign Languages Press, 1989.
"Snowball." Tr. Cathy Silber. In Yang Bian, ed.,
The Time is Not Ripe: Contemporary China's Best Writers and
Their Stories. Beijing: Foreign Languages Press, 1991, 246-52.
"Something Most Precious." Tr. Geremie Barme and Bennett
Lee. In The Wounded: New Stories of the Cultural Revolution.
HK: Joint Publishing, 1979, 205-14.
"A Spate of Visitors." Tr. Xiong Zhenru. Chinese
Literature 7 (1980): 9-21. Also in Butterfly and Other
Stories.
"A String of Choices." Tr. Zhu Hong. In Howard Goldblatt,
ed., Chairman Mao Would Not Be Amused: Fiction from Today's
China. NY: Grove Press, 1995 69-89.
The Stubborn Porridge and Other Stories. trs. Zhu Hong,
et. al. George Braziller, 1993.
"Thick Congee." Tr. Joyce Nip. Renditions 43 (1995): 58-76.
"Under the Wheel." Tr. Yu Fanqin. Chinese Literature (Autumn
1987): 4-32. Also in Jianing Chen, ed. Themes in Contemporary Chinese Literature.
Beijing: New World Press, 1993, 323-54.
"The Upholder of Utility." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 78-81.
"Voices of Spring." Tr. Bonnie S. McDougall. Chinese Literature
1 (1982): 23-36. Also in Butterflies and Other Stories.
"The Wind on the Plateau." Tr. Yu Fanqin. Chinese Literature (Autumn
1986): 3-23.
"A Young Man Arrives at the Organization Department." Current Background,
459 (1957): 1-32. Also trans. as "The Young Man Who Has Just Arrived at
the Organization Department (excerpts)," by Gary Bjorge. In Kao-yu Hsu,
ed., Literature of the People's Republic of China. Bloomington: Indiana
University Press, 1980, 229-41. Also trans. as "A YOung Man Arrives at
the Organization Department." In Hualing Nieh, ed. and co-trans., Literature
of the Hundred Flowers Volume II: Poetry and Fiction. NY: Columbia University
Press, 1981, 473-511. Also trans. as "The Newcomer" by Geremie Barne.
In W.J.F. Jenner, ed., Fragrant Weeds - Chinese Short Stories Once Labelled
as "Poisonous Weeds". HK: Joint Publishing, 1983, 71-116.
Wang Peigong and Wang Gui
"WM." Tr. Thomas Moran. In Haiping Yan, ed., Theater and Society: An Anthology of
Contemporary Chinese Drama. Armonk: M.E.Sharpe, 1998, 60-122.
Wang Peng
"At the Denunciation Meeting." In Helen F. Siu and Zelda
Stern, eds./trs. Mao's Harvest: Voices from China's New Generation.
NY: Oxford UP, 1983, 173-78.
Wang Ping
American Visa: Stories by Wang Ping. Minneapolis: Coffee House Press,
1994.
Poems in Wang Ping, ed., New Generation: Poems from China Today. Brooklyn: Hanging Loose Press, 1999, 125-32.
Foreign Devil. Minneapolis: Coffee House Press, 1996.
Of Flesh and Spirit. Minneapolis: Coffee House Press, 1998. [poems]
The Magic Whip: Poems by Wang Ping. Minneapolis: Coffee House Press, 2003.
Wang Qijiang (Wang Ch'i-chiang)
"Salome of the Sea," "Oceangoing Voyage," "Four Seasons of Ocean." Taiwan Literature: English Language Series 17 (July 2005): 109-18.
Wang Ruoshui
"Writings on Humanism, Alienation and Philosophy." Ed. David Kelly.
Chinese Studies in Philosophy (Spring 1985).
Wang Ruowang
"By Way of a Preface to 'The Sad Canal.'" Tr. Kyna Rubin. In Mason
Y.H. Wang, ed., Perspectives in Contemporary Chinese Literature. University
Center, MI: Green River Press, 1983, 89-103.
"The Enigmatic Laughter of Insanity: A Modern Love Story." Tr. Deborah
Rudolph. In Helmut Martin, ed., Modern Chinese Writers: Self Portrayals.
Armonk, NY: M.E. Sharpe, Inc., 1992, 6-13.
Hunger Trilogy. Tr. Kyna Rubin, with Ira Kasoff. Armonk, NY: M.E. Sharpe,
1991.
"A Visit to His Excellency: A Five-Minute Movie." In Hualing Nieh, ed. and co-trans.,
Literature of the Hundred Flowers Volume II: Poetry and Fiction. NY: Columbia University Press, 1981, 371-79.
Wang Shangyi
"Chant of Great Grief." Tr. John J. Deeney. In Chi Pang-yuan, et al.,
eds., An Anthology of Contemporary Chinese Literature. Taipei: National
Institute for Compilation and Translation, 1975, II, 251-53.
Wang Shiwei
"Wild Lilies." Tr. Marston Anderson. In Helen Siu, ed., Furrows,
Peasants, Intellectuals and the State: Stories and Histories from Modern China.
Stanford: SUP, 1990, 281-88.
Wang Shou 王手
"Death of a Playboy." Tr. Jim Weldon. Pathlight (Winter, 2013): 101-16.
Wang Shuming
"Notes on the Issue of Human Nature." In Hualing Nieh, ed., Literature of the Hundred Flowers, Volume I: Criticism and Polemics. NY: Columbia UP, 1981, 209-17.
Wang Shuo 王朔
"Hot and Cold, Measure for Measure." In Geremie Barme and Linda Jaivin, eds., New Ghosts, Old Dreams: Chinese Rebel Voices. NY: Times Books, 1992, 227-44.
"Maospeak." In Geremie Barme ed., Shades of Mao: Posthumous Cult of a Great Leader. Armonk, NY: M. E. Sharpe, 1996, 224-27.
Playing for Thrills. tr. H. Goldblatt. NY: William Morrow, 1998.
"Cui Jian: Power to the Memory." 2000 Prince Claus Awards. The Hague: Prince Claus Fund, 2000, 54.
Please Don't Call Me Human. Tr. Howard Goldblatt. NY:
Hyperion East, 2000.
Je suis ton papa. Trs. Angelique Levi and Li-Yine Wong.
Paris: Flammarion, 1997.
Wang Tao
"My Sojourn in Hong Kong." In John and Kirstin Miller,
eds., Hong Kong. San Franscisco: Chronicle Books, 1994,
1-12.
"Selections from Jottings from Carefree Travels" [Man you sui lu]. Tr. Ian Chapman. Renditions 53/54 (1999?): 164-73.
"Writings of Wang T'ao." [excerpts]. In Ssu-yu Teng and John K. Fairbank, eds. China's Response to the West: A Documentary Survey, 1839-1923. Cambridge: Harvard UP, 1954, 137-42.
Wang Tianyun
"The Promised Land." Tr. Nicholas Kaldis. In Michelle Yeh and Goran Malmqvist, eds., Sailing to Formosa: An Anthology of Poetry from Taiwan. Seattle: University of Washington Press, 2005, 116-117.
Wang Tie
"The Smashing of the Dragon King." Tr. Cyril Birch. In Birch, ed.,
Anthology of Chinese Literature. NY: Grove Press, 1965-1972, II, 402-429.
Wang Tingzhi
"Support the Construction of Daya Bay Nuclear Power Plant." Tr. John
Steinhardt. Renditions 29/30 (Spring/Aut. 1988): 170-71.
Wang Tongzhao
"Fifty Dollars." In Harold Isaacs, ed., Straw Sandals: Chinese
Short Stories, 1918-1933. Cambridge: MIT Press, 1974, 2348-70.
Wang Tuo
"Awaiting Your Return." In Rosemary Haddon, tr./ed ,
Oxcart: Nativist Stories from Taiwan, 1934-1977. Dortmund:
Projekt Verlag, 1996, 155-92.
"The Hanging Tree." Tr. Chien Hou. The Chinese
Pen, (Winter, 1973): 5-24.
"May He Return Soon." Tr. Vivien Hsu and David Wank.
In Vivien Ling Hsu, ed., Born of the Same Roots. Bloomington:
IUP, 1981, 237-75.
"Native Literature as a Stimulus for Social Change: From
a Writing Career to Political Activism." Tr. Juliettte Gregory.
In Helmut Martin Modern Chinese Writers: Self-portrayals.
Armonk, NY: M.E. Sharpe, 1992, 224-30.
"A Young Country Doctor." In Rosemary Haddon, tr./ed
, Oxcart: Nativist Stories from Taiwan, 1934-1977. Dortmund:
Projekt Verlag, 1996, 193-206.
Wang Wenshi
"The Master Carpenter." In I Knew All Along and Other
Stories By Contemporary Chinese Writers. Peking: Foregin Languages
Press, 1960, 20-43.
"New Companions." Chinese Literature 7 (1979): 59-72.
The Night of the Snowstorm. Beijing: Foreign Languages
Press, 1961, 1979.
"Summer Nights." Tr. Sidney Shapiro. Chinese Literature 3 (1960):
49-68. Also in Sowing the Clouds: A Collection of Chinese Short
Stories. Peking: Foreign Languages Press, 1961, 34-53.
Wang Wenxing (Wang Wen-hsing)
"Afternoon." Tr. Terrence Russell. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
Backed Against the Sea. trs. Ed. Gunn. Ithaca: Cornell East Asia Series, 1993.
"The Black Gown." Tr. Ch'en Chu-yun. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"A Brief Discussion of Modern Literature (Abridged)." Tr. Christopher Lupke. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"Calendar." Tr. Shu-ning Sciban. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"The Challenge and Primitivism of Modernism." Tr. Ihor Peihainy. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"Cold Front." Tr. Terrence Russell. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"Conclusion." Tr. Lloyd Sciban. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"Contract Fulfilled." Trs. Fred Edwards and Jia Li. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"The Day of the Sea-Goddess." Tr. Chu-yun Chen. The
Chinese Pen (Spring, 1986): 70-90. Rpt. in Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"Dragon Inn." Tr. Steven L. Riep. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"A Dying Dog." Tr. Steven L. Riep. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
Endless War: Fiction and Essays by Wang Wen-hsing. Eds. Shu-ning Sciban and Fred Edwards. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
[Abstract: his volume consists of translations of twenty-four fictional works and five essays by Wang Wen-Hsing, plus a dedicated author's preface. Wang is one of the most celebrated modernist writers in Taiwan and the recipient of Taiwan's most prestigious National Culture and Arts Award (Literature Category). Wang is particularly known for his unique language style that is best demonstrated in his novels Family Catastrophe (1993) and Backed Against the Sea (1993). The works collected in Endless War are the twenty-two short stories Wang has written until this day, one novella, one play, and five essays that manifest his writing principles and concept of modern literature, invaluable to the understanding of his works. This anthology brings to English readers excellent works written in the earlier period of Wang's writing career; most of the works are published for the first time in English. This book is an important introduction not only to understanding Wang's writing in particular, but also to understanding Taiwan modernist literature in general.]
"Endless War." Tr. Martin Sulev. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
Family Catastrophe: a modernist novel by Wang Wen-hsing.
tr. by Susan Wan Dolling. forthcoming Hawaii UP.
"Flaw." Tr. Ch'en Chu-yun. The Chinese Pen, (Autumn,
1973): 1-18. Rpt. in Joseph S.M. Lau, ed., Chinese Stories
From Taiwan: 1960-1970. NY: Columbia UP, 1976, 15-27; in Nancy
Ing, ed., Winter Plum: Contemporary Chinese Fiction. Taipei:
Chinese Materials Center, 1982, 437-51; in Kwok-kan Tam, Terry
Siu-Han Yip, Wimal Dissanayake, eds., A Place of One's Own:
Stories of Self in China, Hong Kong, and Singapore. NY: Oxford
UP, 1999, 37-49. Rpt. in Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"The Happiest Thing." Tr. Shu-ning Sciban. In Shu-ning Sciban and Fred Edwards, eds., Endless War: Fiction and Essays by Wang Wen-hsing. Ithaca, NY: Cornell East Asian Program, Cornell University, 2011.
"Line of Fate." Tr. Shen Li-fen. In Chi Pang-yuan, et
al., eds., An Anthology of Contemporary Chinese Literature. Taipei: National Institute for Compilation and Translation, 1975,
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Wang Xiaobo
"2015." Trs. Hongling Zhang and Jason Sommer. Tri-Quarterly (Nov. 2005).
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Wang Xiaolong 王小龙
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Wu Jiwen
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Wu Mi
"Old and New in China." The Chinese
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Wu Mingshi (Pu
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Wu Nianzhen
"Go See the Opera." Tr. Mark Friedman.
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Wu Qiang
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Wu Woyao (or Wu Jianren)
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Wu Yimin
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Wu Yongfu
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Wu Yue
"Wha is the National Tradition of Poetry?"
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Wu Xibin (Ng Hui
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Wu Zao
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Xi Muren (Hsi Muren)
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Xi Song
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"Bowls." Tr. Shu-ning Sciban. In Shu-ning Sciban and Fred Edwards, eds., Dragonflies: Fiction by Chinese Women in the Twentieth Century (East Asia Series 115). Ithaca: East Asia Program, Cornell University, 2003, 104-106. Also translated as "The Bowl." Trs. Bonnie S. McDougall and Wong Nim Yan. Renditions 69 (2008): 103-106.
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In Martha P.Y. Cheung, ed., Hong Kong Collage: Contemporary Stories and Writing.
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"Chronicles from the Floating City." Tr. Wai-shun Hung. Venue
1 (1997): 59-71.
"Cross of Gallantry." Tr. Cecelia Tsim. In Stephen C. Soong and John Minford, eds., Trees opn the Mountain: An Anthology of New Chinese Writing. HK: Chinese University Press, 1984, 115-21.
"The Drawer." In Kwok-kan Tam, Terry Siu-Han Yip, Wimal Dissanayake, eds., A Place of One's Own: Stories of Self in China, Hong Kong, and Singapore. NY: Oxford UP, 1999, 176-79.
"The Floating City." In Geremie Barme, New Ghosts, Old Dreams: Chinese Rebel Voices. NY: Times Books, 1992, 416-24.
Flying Carpet: A Tale of Fertilla. Tr. Diana Yue. HK: Hong Kong University Press, 2000.
"Frying Pan." Tr. Shu-ning Sciban. In Shu-ning Sciban and Fred Edwards, eds., Dragonflies: Fiction by Chinese Women in the Twentieth Century (East Asia Series 115). Ithaca: East Asia Program, Cornell University, 2003, 107-109.
A Girl Like Me and Other Stories. HK: Chinese University of HK, 1986.
Marvels of a Floating City and other Stories: An Authorized Collection.
Tr. Eva Hung and John and Esther Dent-Young. HK: Renditions, 1997.
"Mother Fish." Tr. Kristina M. Torgeson. In David Der-wei Wang, ed.,
Running Wild: New Chinese Writers. NY: Columbia UP, 1994, 108-127.
My City: A Hongkong Story. HK: Renditions, 1993.
"Pinata." Tr. Hannah Cheung and John Minford. Renditions, 27-28
(1987): 113-222. Also in Eva Hung, ed., Contemporary Women Writers: Hong
Kong and Taiwan. HK: Renditions, 1990, 18-40.
"The Silver Years of Rosa Ah-O." Tr. Loretta C. Wang. The Chinese
Pen (Spring, 1992): 1-25.
"Sunday Morning." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 36-37.
"A Woman Like Me." Tr. Howard Goldblatt. The Chinese Pen (Spring,
1984): 1-19. Republished in MIchael S. Duke, ed., Worlds of Modern Chinese
Fiction. Armonk, NY: M.E. Sharpe, 1991, 163-73 and in Ann C. Carver and
Sung-sheng Yvonne Chang, eds., Bamboo Shoots After the Rain: Contemporary
Stories by Women Writers of Taiwan. NY: The Feminist Press, 1990, 134-48.
Also trans. as "A Girl Like Me" by Rachel May and Zhu Zhiyu. In Stephen
C. Soong and John Minford, eds., Trees on the Mountain: An Anthology of New
Chinese Writing. HK: Chinese University Press, 1984, 107-114.
Xia Hong
"Who Wants to Be Ten Percent?" In I Knew All Along and other stories.
Peking: Foreign Languages Press, 1960, 119-21.
Xia Jing
"Aunt Watson." Tr. Wu Chien Chang. The Chinese Pen (Winter,
1972): 30-37.
Xia Mianzun
"The Ornamental Iron Mountain" [Gangtie jiashan]. Tr. David Pollard.
In Pollard, ed., The Chinese Essay. NY: Columbia UP, 2000, 161-63.
"Winter at White Horse Lake" [Baima hu zhi dong]. Tr. David Pollard. In Pollard, ed., The Chinese Essay. NY: Columbia UP, 2000, 163-65.8.
Xia Yan
"Contract Labor." Chinese Literature 8 (1960):
47-63.
"Ouvrieres de louage." Tr. Noel Dutrait. In Dutrait, ed., Ici respire la vie aussi: litterature de reportage, 1926-1982. Aix-en-Provence: Alinea, 1986, 133-52.
The Test: A Play in Five Acts. Tr. Ying Yu. Beijing: Foreign Languages Press, 1956. First
published: Chinese Literature 4 (1955): 3-69;
"Under Shanghai Eaves" (Shanghai wuyan xia). In E. Gunn, ed., Twentieth-Century
Chinese Drama: An Anthology. Bloomington: IUP, 1983, 76-125.
Also in Xiaomei Chen, ed., The Columbia Anthology of Modern Chinese Drama. NY: Columbia UP, 2010, 397-447.
"Under the Eaves of Shanghai." Tr. Yao Hsin-nung. Renditions 3: 128-48.
Xia Yu (Hsia Yu)
"Four Poems." Tr. Stephen Bradbury. Jacket Magazine 8 (July 1999).
Fusion Kitsch. Tr. Stephen Bradbury. Brookline, MA: Zephyr Press, 2001.
"Hsia Yu: Four Poems from Salsa." Tr. Steven Bradbury. Pen American. 2011.
"More and More People Wanting to Get Involved." Tr. Stephen Bradbury. China - Poetry International Web. 2001. [From Fusion Kitsch]
"Poet's Day," "Ode on a Thing," "Dancing with My Back to You." Tr. Andrea Lingenfelter. The Drunken Boat (Spring/Summer 2006).
"The Ripest Rankest Juiciest Summer Ever." Tr. Stephen Bradbury. China - Poetry International Web. 2001. [From Fusion Kitsch]
"Seven Poems from the Chinese." Tr. Steven Bradbury. Tinfish 7 (Nov. 1998).
"Ventriloquy." Tr. Stephen Bradbury. China - Poetry International Web. 2001. [From Fusion Kitsch]
Xia Zhiyan
The Coldest Winter in Peking. Tr. Dee Liang-lao. NY: Doubleday, 1978.
Xiang Kairan
"The Black Cat."
Tr. Timothy C. Wong. In Wong, Stories for Saturday: Twentieth Century Chinese
Popular Fiction. Honolulu: University of Hawaii Press, 2003, 147-58.
"From Marvelous Gallants, Chapter 40." Tr. Timothy C. Wong. In Wong, Stories for Saturday: Twentieth Century Chinese Popular Fiction. Honolulu: University of Hawaii Press, 2003, 125-42.
Xiang Ming
(Hsiang Ming)
Poems in: China, China: Contemporary Poetry from Taiwan, Republic
of China. Eds. Germain Groogenbroodt and Peter Stinson. Ninove, Belgium:
Point Books, 1986.
Xiang Ya
"Women Speak." Tr. Diana B. Kingsbury.
In I Wish I Were a Wolf: The New Voice in Chinese Women's Literature.
Beijing: New World Press, 1994, 123-57.
Xiang Yang
(Hsiang Yang)
Poems in: The Isle Full of Noises: Modern Chinese Poetry from Taiwan.
Ed/tr. Dominic Cheung. NY: Columbia UP, 1987, 238-45.
"A Traveler's Dream" (Luren de meng). Tr. Ronald Egan. Taiwan Literature English Translation Series 1 (Aug. 1996).
Xiang Zhuang
"The Overdevelopment of Language."
Tr. David Pollard. Renditions 29/30 (Spring/Aut. 1988): 4172-73.
Xiang Zuotie
"Raising Whales." Tr. Brendan O'Kane. Pathlight: New Chinese Writing 1 (2011): 99-105.
"A Rare Steed for the Martial Emperor." Tr. Brendan O'Kane. Pathlight: New Chinese Writing 1 (2011): 99-105.
Xiao De
"Why Should We Boldly Bloom." In Hualing Nieh, ed., Literature of the Hundred Flowers, Volume I: Criticism and Polemics. NY: Columbia UP, 1981, 44-51.
Xiao Feng
"Just Let Them Not Know." Tr. Chen
I-djen. The Chinese Pen (Summer, 1984): 83-97.
"One Thousand Two Hundred and Thirty Spots"
(Yi qian san bai san shi dian). Tr. Peng Jingxi. In Pang-yuan Chi, ed., Taiwan
Literature in Chinese and English. Taipei: Commonwealth Publishing, 1999,
71-106. The Dyer's Daughter: Selected Stories of Xiao Hong. Tr. Howard Goldblatt. HK: Chinese University Press, 2005.
Xiao Hang 晓航
"The Gift." Tr. Roddy Flagg. Pathlight (Winter, 2013): 67-76.
Xiao Hong 萧红
"Abandoned Child." In A. Dooling
and K. Torgeson, eds., NY: Columbia University Press,
1998, 347-61
"The Family Outsider." Tr. Howard Goldblatt. In Lau, Hsia, Lee, eds.,
Modern Chinese Stories and Novellas 1919-1949. NY: Columbia UP, 1981,
465-83.
The Field of Life and Death and Tales of Hulan River. Tr. Howard Goldblatt.
Bloomington: Indiana University Press, 1979.
"Hands." In J. Anderson and T. Mumford, eds and trs. Chinese Women
Writers: A Collection of Short Stories by Chinese Women Writers in the 1920s
and 1930s. SF: China Books and Periodical, 1985, 96-114. Also trans. by
Howard Goldblatt. In Joseph S.M. Lau and Howard Goldblatt, eds., The Columbia
Anthology of Modern Chinese Literature. NY: Columbia UP, 1995, 174-87.
Market Street: A Chinese Woman in Harbin. Tr. Howard Goldblatt. Seattle:
University of Washington Press, 1986.
"On the Oxcart." In J. Anderson and T. Mumford, eds and trs. Chinese
Women Writers: A Collection of Short Stories by Chinese Women Writers in the
1920s and 1930s. SF: China Books and Periodical, 1985, 115-28.
"Poems." Tr. Howard Goldblatt. Chinese Literature Today 2, 1 (2011): 105.
Selected Stories of Xiao Hong. Tr. H. Goldblatt. Bejing: Panda Books,
1982.
"A Sleepless Night." In Dooling and Torgeson, eds., Writing Women
in Modern China. NY: Columbia UP, 1998, 363-66.
"Spring in a Small Town." Tr. Sidney Shapiro. Chinese Literature,
8 (1961): 59-82.
Xiao Jun 萧军
"Aboard the S.S. Dairen Maru."
In Edgar Snow, ed., Living China. NY: John Day and Co., 1937; Westport,
Conn: Hyperion Press, 1973, 207-211.
Village in August. Tr. Evan King. NY: Smith and Durrell, 1942. Excerpts in Hualing Nieh, ed., Literature of the Hundred Flowers, Volume II: Poetry and Fiction. NY: Columbia UP, 1981, 283-93.
Coal Mines in May (excerpts). Tr. Howard Goldblatt. In Kai-yu Hsu, ed.,
Literature of the People's Republic of China. Bloomington: IUP, 1980,
198-206.
"Goats," in Modern Chinese Stories and Novellas, 1919-1949.
Ed Lau, Hsia, Lee.
A Picture. Beijing: Foreign Languages Press, 1960.
"The Third Gun." In Edgar Snow, ed., Living China: Modern Chinese Stories. NY: Reynal and Hitchcock, 1936, 212-19.
Xiao Kaiyu
"North Station," "To a Photo of the Deceased," "Dusk." Trs. George O'Connell and Diana Shi. Atlanta Review xiv, 2 (Spring/Summer 2008): 83-85.
Xiao Lihong (Hsiao Li-hung)
A Thousand Moons on a Thousand Rivers.
Tr. Michelle Wu. NY: Columbia UP, 2000.
Xiao Lu
Dialogue. Tr. Archibald McKenzie. With a foreword by Gao Minglu. HK: Hong Kong University Press, 2010.
[Abstract: What forces continue to oppress and restrain women artists in contemporary China? Some powerful answers are provided in this fictional memoir of Xiao Lu, who played an important role in the avant-garde cultural scene during the tumultuous early months of 1989. The acclaimed "China/AvantGarde" exhibition organized by Gao Minglu at the National Art Museum in Beijing was shut down after about three hours from its opening Feb. 5 1989, when Xiao Lu shot live bullets into her mock-up of two telephone booths, turning an edgy installation work into an over-the-edge performance piece and an icon of the modern Chinese art movement. Many questions were left unanswered from where she got the gun to what she meant by all this. As it turns out, the man and the woman pictured in these two phone booths were specific people, and she was one of them the daughter of the director of a provincial art academy. Her father helped her get into the Central Academy in Beijing, where she was abused in various ways. In the 1989 exhibition, symbolically, she shot her nemesis, then went outside to a public telephone, called him, and told him what she had done. These events are naturally at the center of her memoir, but in describing the events and their aftermath, she offers remarkably candid views on the difficulties facing women in contemporary art circles and the way cultural power is exercised in China. Xiao Lu studied at the Central Academy of Fine Arts in Beijing and the Hangzhou Academy of Fine Arts. She currently lives in Beijing.]
Xiao Min
"Mother's Hair." In Chinese Women
Writers' Association, eds., The Muse of China: A Collection of Prose and
Short Stories. Taipei: Chinese Women Writers' Association, 1974, 27-33.
Xiao Mu
"A Fighting Journey." In Sowing the Clouds: A Collection
of Chinese Short Stories. Peking: Foreign Languages Press, 1961, 127-35.
Xiao Qian
Chestnuts. Beijing: Panda, 1984. [contains: "An Album of Faded Photographs,"
"Under the Fence," "When Your Eaves Are Low," "Chestnuts,"
"The Philatelist," "Cactus Flower," "The Captive,"
"A Rainy Evening," "Galloping Legs," "Shandong Deng,"
"Epidemic," "The Jiang Boy"]
"The Conversion" (Guiyi). In Edgar Snow, ed. Living China: Modern
Chinese Short Stories. London: Harrup, 1936, 228-44.
"Petit Jiang." In Le fox-trot de Shanghai et autres novelles chinoises. Trs/eds. Isabelle Rabut and Angel Pino. Paris: Albin Michel, 1996, 85-98.
"Le vers a soie." In Le fox-trot de Shanghai et
autres novelles chinoises. Trs/eds. Isabelle Rabut and Angel Pino. Paris:
Albin Michel, 1996, 99-113.
Seminola and Other Stories. HK: Joint Publications, 1984.
The Spinners of Silk. Tr. Hsiao Ch'ien. London: Allen and Unwin, 1944.
Traveller Without a Map. Tr. Jeffrey Kinkley. Stanford: Stanford UP,
1990. [autobiography]
Xiao Qian wrote the following in English under the name Hsiao Ch'ien:
China, But Not Cathay. London: Pilot Press, 1942.
The Dragon Beards versus the Blueprints (Meditations on Post-War Culture).
London: Pilot Press, 1944. [includes "Ibsen in China," "Literature
and the Masses," and the title essay]
A Harp With a Thousands Strings (A Chinese Anthology in Six Parts). London:
Pilot Press, 1944. [incredibly interesting anthology of Western writings on
China]
How the Tillers Win Back Their Land. Beijing: Foreign Languages Press, 1951.
Xiao Sa
"The Aftermath of the Death of a Junior
High Co-ed." Tr. Chen I-djen. The Chinese Pen, (Autumn, 1984): 1-25.
Also in Ann C. Carver and Sung-sheng Yvonne Chang, eds., Bamboo Shoots After
the Rain: Contemporary Stories by Women Writers of Taiwan. NY: The Feminist
Press, 1990, 171-87.
"The Colours of Love." Tr. Eva Hung. Renditions, 35-36 (1991):
103-20. Rpt. in Eva Hung, ed., City Women. HK: Renditions, 2001.
"Floating Leaf." Tr. Howard Goldblatt. In Joseph
Lau and Howard Goldblatt, eds., The Columbia Anthology of Modern Chinese
Literature. NY: Columbia University Press, 1995373-82.
"My Relatives in Hong Kong." Tr. Loh I-cheng. The Chinese Pen
(Autumn 1987): 1-46. Rpt. in Pang-yuan Chi and David Der-Wei Wang, eds., The
Last of the Whampoa Breed. NY: Columbia University Press, 2003.
"My Son Han-sheng." Tr. Eve Markowitz. The Chinese Pen (Autumn
1980): 23-56. Rpt. in Michael S. Duke, ed., Worlds of Modern Chinese Fiction.
Armonk, NY: M.E. Sharpe, 1991, 227-45.
"Old Mrs. Kuo's Distress." Tr. David Steelman. The Chinese Pen
(Summer 1989): 1-11.
"Second Honeymoon." Tr. Patia Yasin. The Chinese Pen (Spring
1982): 82-96.
Xiao Si
"A Bitter Experience"
(Kuse de jingli). Tr. Jane Lai. In Martha P.Y. Cheung, ed., Hong
Kong Collage: Contemporary Stories and Writing. HK: Oxford
University Press, 1998, 152-53.
"The Bronze Lions" (Kan tong shi qu). Tr. Jane Lai. In Martha P.Y. Cheung, ed., Hong Kong Collage: Contemporary Stories and Writing. HK: Oxford University Press, 1998, 81-82.
"Loneliness among the Mountain Flowers--Xiao Hong in Hong Kong." Tr. Janice Wickeri. Renditions 29/30 (Spring/Aut. 1988): 176-81.
"Night Market." Tr. David Pollard. Renditions 29/30 (Spring/Aut. 1988): 174-76.
"Old Banyan Trees Moving On" (Lao rong yi ju). Tr. Jane Lai. In Martha P.Y. Cheung, ed., Hong Kong Collage: Contemporary Stories and Writing. HK: Oxford University Press, 1998, 79-80
Xie Bingying (Hsieh Ping-ying)
Autobiography of a Chinese Girl.
Tr. Tsui Chi. London: Allen and Unwin, 1943. rpt. London: Pandora, 1986.
Girl Rebel: The Autobiography of Hsieh Pingying, with Extracts from Her New
War Diaries. Tr. Adet and Anor Lin. NY: John Day, 1940; reprint, NY: De
Capo Press, 1975.
Excerpts from War Diary. Tr. Lin Yutang. In A. Dooling and K. Torgeson,
eds., Writing Women in Modern China: An Anthology of Women's Literature from
the Early Twentieth Century. NY: Columbia UP, 1998, 255-62.
"The Girl Umeko."
Tr. Hu Mingliang. In Amy D. Dooling, ed., Writing Women in Modern China
The Revolutionary Years, 1936-1976. NY: Columbia UP, 2005, 95-111.
"Letters of a Chinese Amazon." In Yutang Lin, ed. and trans., Letters
of a Chinese Amazon and War-Time Essays. Shanghai: The Commercial Press,
1930, 3-47.
"Midpoint of an Ordinary Life." Tr. Shirley Chang. In Wang, ed., Jumping Through Hoops: Autobiograpical Stories by Modern Chinese Women Writers. HK: Hong Kong UP, 2003, 151-66.
Xie Fengzheng (Hsieh Feng-cheng)
After the Death of Younger Werther: Poems. Tr. Howard Goldblatt.
Santa Barbara: Fithian Press, 1990.
Xie Ye
"I Finally Turn Around"
(Wo zhongyu zhuan guo shen qu"). Tr. Li Xia. HECATE
21, 1, (1995): 67-68.
Xin Mu (Hsin Mu)
Poems in: The Isle Full of Noises: Modern Chinese Poetry from
Taiwan. Ed/tr. Dominic Cheung. NY: Columbia UP, 1987, 157-58.
Xinran
China Witness: Voices from a Silent Generation. Trs. Nicky Harman, Julia Lovell, and Esther Tyldesley. NY: Pantheon Books, 2009.
The Good Women of China: Hidden Voices. Tr. Esther Tyldesley. NY: Pantheon, 2002.
Miss Chopsticks. Tr. Esther Tyldesley. London: Chatto and Windus, 2007.
Sky Burial: An Epic Love Story of Tibet. New York: Vintage, 2005.
What the Chinese Don't Eat. New York: Vintage, 2006.
Xin Qi Shi
"A Bone Stuck in the Throat."
In Kwok-kan Tam, Terry Siu-Han Yip, Wimal Dissanayake,
eds., A Place of One's Own: Stories of Self in China, Hong
Kong, and Singapore. NY: Oxford UP, 1999, 81-96.
"The Ghost Festival" (Meng Lanfen jie). Tr. Cathy Poon. In Martha P.Y. Cheung, ed., Hong Kong Collage: Contemporary Stories and Writing. HK: Oxford University Press, 1998, 107-121.
"Missing Person." Tr. David Pollard. Renditions 29/30 (Spring/Aut. 1988): 125-31.
Xin Yuan
"The Hazards of Daily Life"
(Richang shenghuo de weiji). Tr. Jane Lai. In Martha P.Y. Cheung,
ed., Hong Kong Collage: Contemporary Stories and Writing.
HK: Oxford University Press, 1998, 233-41.
"Red Rose and Bastard Horse" (Hong meigui yu zazhong ma). Tr. Jane Lai. In Martha P.Y. Cheung, ed., Hong Kong Collage: Contemporary Stories and Writing. HK: Oxford University Press, 1998, 188-96.
Xing Zhu
"China
Vases." Tr. Zhang Shaoning. Chinese Literature (Spring 1998).
Xiong Foxi
"The Artist" [Yishu jia]. In Ku Tsong-nee,
ed., Modern Chinese Plays. Shanghai: The Commercial Press, 1941, 119-37.
"The Drunkard" [Zuile]. In Ku Tsong-nee, ed., Modern Chinese Plays.
Shanghai: The Commercial Press, 1941, 75-90.
Xu Chi
"Le probleme de Goldbach."
Tr. Noel Dutrait. In Dutrait, ed., Ici respire la vie aussi:
litterature de reportage, 1926-1982. Aix-en-Provence: Alinea,
1986, 107-46.
Xu Dishan
"Big Sister Liu." In Stories
from the Thirties. 2 vols. Beijing: Panda Books, 1982, 1: 111-41.
"Blooms on a Dried Popular." In Stories from the Thirties. 2 vols. Beijing: Panda Books, 1982, 1: 71-97.
"Director Fei's Reception Room." In Stories from the Thirties. 2 vols. Beijing: Panda Books, 1982, 1: 98-110.
"The Iron Fish with Gills." Chinese Literature 9 (1964). Also in Stories from the Thirties. 2 vols. Beijing: Panda Books, 1982, 1: 141-57 .
"The Merchant's Wife." In H. Goldblatt and Joseph Lau, eds., Columbia
Anthology of Modern Chinese Literature. NY: Columbia UP, 1995, 21-34.
"Spring Peach."
In Zhihua Fang, ed./tr. Chinese Stories of the Twentieth Century. NY:
Garland Publishing, 1995, 173-201.
"Yu-kuan." Tr. Cecile Chu-chin Sun. In Lau, Hsia, Leee, eds., Modern
Chinese Stories and Novellas 1919-1949. NY: Columbia UP, 1981, 51-87.
Xu Guangyao
Little Soldier Chang Ka-tse. Beijing: Foreign Language Press, 1964.
The Plains are Ablaze. Tr. Sidney Shapiro. Beijing: Foreign Language
Press, 1955.
Xu Haiwei
"The Principle of Rebound." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia University Press, 2006, 102-3.
Xu Huizhi (Hsu Hui-chih)
"A Humpback Whale's Return Journey to Summer," "Lost Whales," "A Stranded Whale." Taiwan Literature: English Language Series 17 (July 2005): 119-26.
Xu Jilin
"The Fate of Enlightenment--Twenty
Years in the Chinese Cultural Sphere, 1978-98." East Asian
History 20 (Dec. 2000): 169-86.
Xu Jingya
"A Volant Tribe of Bards: A Critique of the Modernist Tendencies
of Chinese Poetry." Tr. Ng Mau-sang. Renditions 19/20
(1983): 59-68.
Xu Pinli
Old Forest. Trs. Martha P.Y. Cheung & Jane C.C. Lai. In Cheung and Lai, eds. An Oxford Anthology of Contemporary Chinese Drama. Hong Kong:
Oxford University Press, 1997.
Old Forest. Tr. Martha Cheung and Jane Lai. In Cheung and Lai, eds., An Anthology of Contemporary Chinese Drama. NY: Oxford UP, 1997, 263-94.
Xu Qiong'er (Hsu Ch'iung-erh)
"The Modern Scene in the Island Capital." Tr. Sonja Arntzen (from the Japanese). Taiwan Literature English Translation Series no. 19 (2006): 123-30.
Xu Shijie
"Purchase Request for a Kettle." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 58-59.
Xu Xi
Unwalled City: A Novel of Hong Kong. Hong Kong: BookCyclone, 2010.
Xu Xiangming
"Home." In Loud Sparrows: Contemporary Chinese Short-Shorts. Trs. Aili Mu, Julie Chiu, and Howard Goldblatt. NY: Columbia UP, 2006, 108-10.
Xu Xiao
"A May That Will Last Forever: A Memoir." Tr. H. Batt. In Henry Y.H.
Zhao, Yanbing Chen, and John Rosenwald, eds., Fissures: Chinese Writing Today.
London: Zephyr Press, 2000, 108-25. Rpt. in Persimmon 2, 3 (Winter 2002):
6--71.
Xu Xiaobin
Feathered Serpent. Trs. John Howard-Gibbon and Joanne Wang. New York: Simon&Sichuster, 2009.
Xu Xing
'Variations without a Theme' and Other Stories.
Trs. Maria Galikowski and Lin Min. Honolulu: University of Hawaii Press, 1998.
Xu Xu
"Un amour de fantome." In Le
fox-trot de Shanghai et autres novelles chinoises. Trs/eds. Isabelle Rabut
and Angel Pino. Paris: Albin Michel, 1996, 309-42.
Bird Talk. Tr. Lin Yutang. HK: South Sky Book Co., 1971.
"Rond de fumee." In Le fox-trot de Shanghai et autres novelles chinoises. Trs/eds. Isabelle Rabut and Angel Pino. Paris: Albin Michel, 1996, 343-54.
"Sister Tsui-ling." Tr. George Kao. Renditions 2 (1974): 99-114.
Xu Yigua 须一瓜
"How To Grow Bananas." Tr. Rachel Henson. Pathlight (Winter 2013): 89-100.
Xu Youshen (Hsu
Yoshen)
"Stones on the Shore." Tr. Fran Martin.
In Martin, ed., Angelwings: Contemporary Queer Fiction from Taiwan.
Honolulu: University of Hawaii Press, 2003, 95-126.
Xu Zechen
"Outdoor Film." Pathlight: New Chinese Writing 2 (2012): 74-85.
Xu Zhimo
"Art and Life." In Kirk A. Denton,
ed., Modern Chinese Literary Thought. Stanford: Stanford UP, 1996, 169-81.
"Goodbye Again, Cambridge." World Classic Poetry
and Global Information.
Poems in
Anthology of Chinese Literature, vol. II. Ed. Cyril Birch.
Anthology of Modern Chinese Poetry. Ed. Michelle Yeh.
New Haven: Yale UP, 5-12.
Contemporary Chinese Poetry. Ed. Payne.
Modern Chinese Poetry. Ed. Acton.
Modern Chinese Poetry. Ed. Julia Lin.
Twentieth Century Chinese Poetry. Ed. Kai-yu Hsu. NY:
Doubleday, 1963, 65-92.
Xu Zhuodai
"Cooper" (Gu). Tr. William A. Lyell.
Two Lines: A Journal of Translation (Spring 1994).
"The Fiction Material Wholesaler." Tr. Christopher Rea. Renditions 67 (Spring 2007): 46-62.
"Men’s Depravity Exposed." Tr. Timothy C. Wong. In Wong, Stories for Saturday: Twentieth Century Chinese Popular Fiction. Honolulu: University of Hawaii Press, 2003, 215-27.
Xue Di
Another Kind of Tenderness: Love Poems. Brooklyn: Litmus Press, 2004.
Circumstances. Trs. Keith Waldrop with Hil Anderson and Xue Di. Duration, 2000.
Flames. Trs. Wang Ping, Iona Crook and Keith Waldrop. Paradigm, 1995.
"Selections from Flames." Tr. Alison Friedman. The Drunken Boat (Spring/Summer 2006).
Heart into Soil. Trs. Keith Waldrop with Wang Ping, Iona Crook, Janet Tan and Hil Anderson. Burning Deck/Lost Roads, 1998.
An Ordinary Day. Trs. Keith Waldrop and Wang Ping. Farmington, ME: Alice James Books, 2002.
Poems in Wang Ping, ed., New Generation: Poems from China Today. Brooklyn: Hanging Loose Press, 1999, 153-55.
Xue Fucheng
The European Diaries of Hsieh Fucheng: Envoy Extraordinary of Imperial China. Tr. Helen Hsieh Chien. Palgrave McMillan, 1993.
"On Reform." In Wm. Theodore de Bary and Richard Lufrano eds., Sources of Chinese Tradition: Volume Two: From 1600 through the Twentieth Century. NY: Columbia UP, 2000, 242-44.
Xue Yiwei 薛忆沩
"The Old Soldier." Tr. Birgit Linder. Renditions 74 (Autumn 2010): 100-104.
"The Taxi Driver." Tr. Ken Liu. Pathlight (Winter, 2013): 145-50.